Climbing Samsara

It was said that climbing the mighty Samsara would give you enlightenment.

Betsy Jones wasn’t sure how much enlightenment she needed, but she’d already climbed every other mountain worth it’s weight. Everest had been a joke. Denali had been a breeze. K2 had come the closest to killing her, not that Betsy would ever tell anyone that. She liked to tell the story of nearly dying on Annapurna because at least that one had some mustard, made her seem like some heroic fighting a mountain and winning. On K2 she’d simply come down with a cold, which she had ignored until it was pneumonia. Rather embarrassing, actually.

The only mountain left in the world for Betsy Jones was Samsara. A volcanic peak rising up all on its lonesome, surrounded by hundreds of miles of dense jungle in every direction, rising up high enough that its peak was constantly shrouded in clouds. She’d heard tales of other climbers bringing back little bottles of still-cold snow from the top in the deepest heat of summer.

Not many people even bothered to try Samsara. Not because it was the hardest in the world – from what little she could glean from whispers and passed notes it was perhaps a little harder than Denali – but because it was the hardest to get to. Not only was there the jungle, there were the native tribes and cartels hidden in the jungle, two groups of people who generally weren’t friendly to idiot climbers just trying to get through. They made it very hard for the government of the country surrounding Samsara to make a buck off tourists, so instead the government forbid climbing at all. Not only that, they had connections. To the governments that held other mountains. Being caught on Samsara could mean being blacklisted from eight other of the largest peaks on the planet.

And that, friends, was the real reason many did not climb Samsara. There could be no bragging. No press conference. No selfies from the summit. Climbing Samsara had to be done in secret. It had to be done for yourself.

So, which came first: the secrecy of the climb or the rumor of enlightenment? Betsy Jones didn’t know nor care. She didn’t climb for the publicity. She climbed because every time she looked at a mountain she heard it’s voice on the wind, calling her to come see what it held. A true call of the mountains.

“I don’t like this,” her publicist, Greg, had said.

Just because she didn’t do it for the publicity didn’t mean the publicity was bad. It kept her climbing gear, after all.

“I don’t care. I’ve already climbed every other steep set of rocks on the planet. My knees need to be replaced. I’m done after this.”

“I’m not worried about that,” Greg lied. “There’s a reason Samsara is blacklisted. It’s dangerous. Just getting there is dangerous!”

“And every climb I’ve done has been, what, a walk on the beach?”

Betsy hated the beach.

Greg had given her The Eye. “You know what I mean, Betsy.”

It was true. She did. She also didn’t care. Samsara was calling her. She could hear it all the way from her barely-used apartment. In a way, it had been calling her her entire life. She couldn’t refuse.

That conversation had been eighty-five days ago. Nearly three months. The first four weeks had been navigating the jungle. Getting around government barriers. Creeping through thicket and heavy vines. Avoiding snakes, cats, and humans alike. Once she had been spotted, and forced to run. If she had not found that rock, about the size of a car, overgrown with vines she had managed to wiggle under, she would have been caught. And then what?

Actually, Betsy didn’t even know. She didn’t want to know. The jungle wasn’t what mattered.

The actual climb up Samsara hadn’t been easier, but at least it had been a type of difficult she understood. Sliding rocks, thinning air, winds that threatened to blow right off the side.

The moments she felt most alive.

After packing up her camp, it took Betsy another six hours to finally reached what she thought was the top. It was hard to tell. Soon after starting she’d climbed directly into the clouds. She had hoped the peak was tall enough to poke through, get her onto the roof of the planet, but when the climbing abruptly ended she found herself still shrouded in a cool, dark mist.

Huffing like she’d never breathed air a day in her life, Betsy checked her GPS. She was at the correct elevation, according to the records online. She’d made it.

Betsy paced a bit, stamping down frosted dirt underneath her boots. It didn’t feel like she had made it. Perhaps it was the lack of view. Or the lack of, well…

“I don’t feel very enlightened.”

She hadn’t gone all the way up. That must be it. This must be a plateau just below the actual peak. If she walked forward, through the misty clouds, she’d surely find it.

Bolstered her by her new assumption, Betsy headed forward.

It did not take long at long for something new to break through the shroud. Something colorful. Something bright. Something that initially reminded her of the lines of flags found at temples in India and Nepal. Samsara will give you enlightenment, it said. Had she found a lost  Buddhist enclave? Finding undiscovered ruins wouldn’t give her enlightenment, but it would give her the subject for a new book. Yes, that’s why she had never heard of ruins at the top of Samsara, because everyone else who had climbed was too afraid to admit it. But she was out! She was done! She could write-

It was a 7-Eleven.

Betsy stopped in her tracks and stared at the familiar sign shining through the relentless fog. The orange and red 7, the green ‘ELEVEN.’ Exactly as she had seen so many times before. Only, every other time she had seen it, it was on a street corner surrounded by the most depressing streets and architecture ever produced on humans. Not at the top of Annapurna. Not at the top of Baintha Brakk.

“Maybe…some…carried a sign up?”

It was a ridiculous notion, but far less ridiculous than having an actual 7-Eleven attached to the sign.

And yet, there it was. As she got closer, the mists parted and revealed the same square little building she’d seen a thousand times before.

The lights were on.

Not seeing any other choice on the matter, Betsy opened the door and walked in.

Somewhere behind the front counter a chime went off.

“Welcome in!”

Betsy might have responded. She wasn’t really sure. She was too engrossed in looking around the little store. If she positioned herself so she couldn’t see out the window, she could actually convince herself she was back in the States, some six lane monstrosity right outside. It was all there. The potato chips and the chocolate bars and the rack of scratchers on the counter and the coffee station and the Slurpee machine and that squat little machine that makes the hot dogs roll and roll and roll and roll and roll and-

“What’s that?” Betsy asked.

The man behind the counter grinned at her. “I asked, how’s your day going so far?”

Betsy nodded slowly, like he had made some grand statement about the universe.

“Well, I thought I was having a very good day. Only, now I’m starting to think I might have died and gone to purgatory.”

The man chuckled. He was wearing a brightly colored 7-Eleven polo and a name tag that said HERMAN.

“If you’re dead I guess that means I’m dead, and I don’t remember dying.”

“Then, can I ask, if you don’t mind…”

“How is there a 7-Eleven at the top of Samsara? Well, you see, I climbed Samsara myself about, oh, twelve or thirteen years ago. And after I got up here I realized I had left half my pack at my last camp, and I thought, man, you know what would be convenient right about now?”

Despite the insanity of the situation trying to nestle in her brain, Betsy smiled back at the man. “A convenience store?”

He made a snap that turned into a finger gun. “Bingo-bango! And I thought, well, if I would like a little shop, maybe others would! So I built this place. And then the government shut climbing down. But I was already up here, so I figured I’d stay. Lots of people still show up. Not as many as I’d like, but lots.”

“I’ve heard other people talking,” she said, stepping up to the counter. “They say that climbing Samsara will give you enlightenment.”

“Oh, yeah, heard that, too. Not sure what that’s about,” Herman said, scratching the back of his head. “Maybe that’s somewhere else on the summit. I ain’t found it.”

“I certainly wasn’t expecting this, but, to be honest, it is nice.”

Betsy hadn’t realized how soaked she’d become, walking through the clouds. They pressed against the windows, making it look like the store was simply floating through the sky. A nice, dry, well lit place was just the thing she needed before starting back down.

Her stomach rumbled. Usually her pack carried everything she needed to get through a climb like this, but the smells of the food at the hot bar were getting her hungry again.

“Ah, I heard that!” Herman said. “You need a little pick-me-up before you go back down, huh? What can I get you?”

Betsy pointed. “How long have those hot dogs been there?”

“Put them out myself an hour ago.”

Relief! She hadn’t had a hot dog in ages, and suddenly they seemed like the best thing humans had ever created.

Herman picked up the tongs, tapped them a couple of times, and asked, “What do you want on it?”

And Betsy said, “Make me one with everything.”


My Favorite Pop Culture Things from 2023

I know, I know, it’s already March, can we please give up 2023 and memory hole it already? How dare I try to talk about last year this late in the game.

Well, truthfully, I wasn’t planning on releasing this. I did one last year and wanted to do a follow-up, but I tried writing it a few times and it just wasn’t happening and I gave up on the whole endeavor.

And then I saw Dune Part 2 and realized I wanted to include the scenes on Geidi Prime for my Best of 2024 article next year – did you see that fucking cinematography? Did you know they used IR cameras? Jesus Christ – and it felt weird to just not do one for 2023, so I bucked up, deleted all the shit I’d already written, and started again.

Here are my favorite pop culture moments of 2023, and one single terrible moment that I hated. Spoiler alerts for anything listed.

Fall Out Boy – So Much (for) Stardust

I generally don’t talk about music much here because I’m less interested in its mechanics and industry the way I am with movies, television, and video games, and also because a lot of people have a lot of capital-O Opinions on music and have a tendency to take things…hmm…oddly personal? Like tell a person you don’t like their favorite television show and they might think you’re crazy, tell a person you don’t like their favorite band and they might come at you with a dull butter knife. Further, I don’t have time for music – I can’t listen to something with lyrics when I’m writing so I spend all day listening to mixes on YouTube called shit like ‘Lofi Chill-Hop Vapors to Wave to’ or whatever. I don’t have much to add to the conversation

Which is all to say this isn’t a discussion about Fall Out Boy’s new album, or even a critique, this is pretty much me getting up on stage with a dunce cap and a megaphone and shouting ‘I LOVE FALL OUT BOY’ into it until the fire department is finally able to subdue me.

And I do. I’ve been listening to them for almost two decades. I own some of the albums on vinyl because I was That Person for a while. I wrote some kind-of sort-of almost fanfiction back in the day and no you cannot see it, mostly because it was four or five computers ago and has been lost to the sands of time. These motherfuckers even got me to leave my house and go to their concert. On a Sunday. Sheesh, I haven’t been to a concert in, like, seven years…and it was another Fall Out Boy concert.

If I had to pick a favorite moment off the entire album it would be in “What a Time to Be Alive” when Patrick Stump’s voice transitions seamlessly into Joe Trohman’s guitar.

Worst – Fall Out Boy makes a sequel to “We Didn’t Start the Fire

I am not such a superfan of the band that I can’t face their mistakes head on, and just, like, I mean…why the floppy-haired fuck did this happen.

Okay, never mind that the original song is a joke. Never mind that Billy Joel doesn’t even like it anymore. Never mind that everyone has been saying for years that the song should be updated annually but it was a fucking joke, boys, no one needed this.

Never mind all of that, push it all away, because there’s a greater sin in this fucking sequel song.

You know how little kids, especially between like five and eleven, are absolutely weird as fuck in totally different ways? One of the ways I was a strange little kid is I became absolutely obsessed with the original “We Didn’t Start the Fire.” I would play it on repeat while reading the lyrics in the CD insert (remember those?) until I had memorized the entire thing. Why? Who cares? I was eight. Eight year olds are weird.

While I don’t remember all the lyrics anymore, you know what I do remember?

All the events Billy listed in that stupid song were listed in chronological order.

I don’t have it in front of me to prove it, but I even remember that the printed lyrics were interrupted by the years that the events Billy was listing out happened in. And that’s kind of the whole point of the song? The relentless march of time continues to bring the most insane shit that has ever happened, it’s been that way for as long as there has been humans and it will continue until the sun burns out. What else do I have to say?

This new version has no linearity, it’s just listing off shit that has happened in two decades with absolutely nothing to tie them together except the same existential dread vibes we’ve all been having anyway.

If you’re going to do something stupid, at least do it with your whole ass.

For shame. 0/10 stars, so, so many notes.

Into the Spider-Verse and Barbie, The Best Movie Experiences I’ve Had In Years

There’s always speculation that movie theaters are going to become so expensive, and so out-classed by the set-ups people have at home, that they’ll eventually evaporate like so much vapor, and I think that’s fully bullshit because yes people in general are fucking annoying, I know, I am one, but also humans are social creatures and we get lonely and yeah laughing at a funny joke in a movie feels good but Jesus H Christ laughing at a funny joke in a movie surrounded by other people who are also laughing at said funny joke is better than sex.

So that’s my hot take: movie theaters are literally never going away because the experience of sharing a movie with strangers can cure depression for roughly two hours.

Spider-Man: Into the Spider-Verse was the first movie I’ve seen opening weekend since the beginning of the pandemic. There was a moment early on where something funny happened and everyone laughed and I was laughing too but I was also feeling e m o t i o n s because this important part of my life I hadn’t fully realized I still hadn’t gotten back had finally happened again. I’d been seeing movies in theaters for a while but always after it had been out for a few weeks so the theater was only half full, usually with people who weren’t really into movie but needed to kill a few hours. To see a movie the first weekend its out in a theater filled with people who are absolutely feral for what’s about to happen is the closest I’ve ever been to a religious experience.

And then Barbie. Another opening weekend. Another full theater. And this time it wasn’t just a movie. It was an entire fucking event. The summer of Barbenheimer had whisked everyone onto the hype train and I fully believe even if the movie had been terrible everyone would still have had a great time. 90% of the audience was in pink and the others were wearing suits for Oppenheimer. They had the Barbie box out in the lobby and there was a line, sometimes ten people deep, to take your picture in it. You could order pink cocktails. I’m pretty sure this showing is where I caught COVID. Was it worth it?

No, actually, I super wish I hadn’t caught COVID, especially two weeks before my sister’s wedding.

But it was close to worth it.

Margot Robbie in Asteroid City

I’m torn on whether Robbie not getting an Oscar nom for Barbie was a snub or not. It was a very good performance but I don’t know that any of the women who were nominated deserve it less than Robbie’s Barbie.

I do think there should be a way to give her an award for her single two minute scene in Asteroid City because I have never been so moved by someone explaining what would have happened in a scene that was cut.

Asteroid City, like a lot of Wes Anderson’s movies, is about processing grief, which as all humans know can’t be done, not really. Jason Schwartzman is both the actor Jones Hall (who has lost his playwright lover Conrad Earp) and the character Hall plays, Augie Steenbeck (who has lost his wife, the character who was supposed to be played by Margot Robbie). In this scene he is both Hall listening to words written by his dead lover and Augie listening to words by his dead wife. It’s the true lynchpin, I think, pulling together both worlds of the movie.

The writing and the performance combine to make this scene work so perfectly. Every line of dialogue Robbie recites is preceded with a ‘you say’ or ‘I say.’ The lines are then rushed through so that every pause is followed with another ‘you say’ or ‘I say.’ You’re lulled in by the pattern, so that by the end, when Robbie pauses and then utters ‘I’m not coming back, Augie,’ without the dialogue tag it becomes a gut-punch and sounds like a line that has somehow broken through the layers of separation to become real. Kills me every time.

Also, this plus the scene’s beginning line of ‘It’s you, the wife who played my actress’ is the basis of my theory that the reality in this movie actually is Augie’s life in Asteroid City and the scenes of it being a documentary about a play about Asteroid City are all things he’s invented to try to process losing his wife, but that’s neither here nor there.

My Favorite Movie: Bottoms

This was a good year at the movies but literally everyone else can fuck off, Bottoms is the best movie of the year and I’m not broaching discussion on this topic.

I’m so happy for Ayo Edebiri that she is getting literally all the of the awards she possibly can for The Bear, it’s a great show and she deserves every single one of them, but she also deserves an award solely for her ‘EVERYBODY KNOW HE’S FRUITY’ monologue and also where the fuck are the awards for Rachel Sennott and Nicholas Galitzine and where’s the fucking Best Supporting Actor award for Marshawn Fucking Lynch??

This movie doesn’t exist in the real world. The football players wear their uniforms and padding all the fucking time, one is kept in a cage in the back of the classroom for reasons that are never explained, and the only cell phone in the entire movie is a flip phone from 2004. It’s sort of an exploration of existing as a woman in a man’s world but it’s more about two high school lesbians who start a fight club to get closer to their crushes.

All of you slept on Bottoms this year and I’m not mad, I’m just disappointed.

This might be my favorite comedy of all time, up there with Goon, and now I’m starting to wonder if that says something about me…

John Wick 4

Initially I was going to put up the fight scene that seems to be heavily inspired by Hotline Miami, and while that scene is incredible and should absolutely be copied by other action movies going forward, what has stuck with me all these months later is John falling down those god damned stairs.

I…am not sure if this was supposed to be funny? I honestly can’t tell. John Wick takes it as well as he gives. He gets beat up, branded, hit by cars…I mean, these aren’t even the first set of stairs he’s fallen down in this movie. So on the one hand, this isn’t exactly out of character for the man. It doesn’t come out of nowhere. On the other hand, this is funny on a basic, lizard-brain level. There can’t be a way that the people making this film tossed Keanu Reeves down a never-ending set of stairs and didn’t realize in the moment that it was extra super-duper funny, right?

But maybe it doesn’t matter, because it is absolutely the funniest thing to happen in a non-comedy all year.

Also, for people who have not watched the movie: for plot reasons, he needs to be at the top of those stairs. So after all that, he has to go back up. Comedy genius.

Alan Wake 2 – We Sing

In both Alan Wake and Alan Wake 2, titular Alan Wake is the author of a grimy, hardboiled detective series that got so popular he basically had a mini-meltdown from all the fame and went to sleepy little Bright Falls, Washington with his wife to get away from it all and fix his marriage. Anyway, it takes roughly three hours for his wife to get taken by some mysterious dark entity living at the bottom of a lake and it’s all downhill from there. Alan spends all of the first game battling dark entities and trying to find his wife, and – spoiler alert – manages to save his wife by getting himself stuck in the weird dark dimension that exists at the bottom of the lake.

Alan Wake 2 starts over a decade later, and Wake has been trapped in this mini-dimension this entire time. He’s down there with the Dark Presence, a being that also wants to escape and can do so through Wake’s writings through some interdimensional fuckery, and the two are basically battling to write the version of the story that will let one of them out and keep the other one trapped forever in this dark, dream-like universe where reality twists into nightmares over and over and over.

There is so fucking much of this I am skimming over to keep this brief. The world-building on this series and its cousin Control is so dense I literally cannot get into it all without ending up with one of those “Alan Wake EXPLAINED” articles you see all over half-assed gaming websites. I’m just trying to lay out the basics to explain what sort of game this is: a psychological survival horror game with lots of serious themes, philosophical questions, and jump scares.

And then this happens:

I’ve seen some crazy cut scenes in other video games, but the fact that this musical insanity is playable just takes everything over the top. My husband, who was actually playing, kept dying because he kept paying too much attention to the music and not enough to the dark entities trying to brain him with an axe handle.

Also, it’s very important to me that you understand that Mr. Door is not the Dark Presence and is, in fact, just some other guy that got stuck in the Dark Place and hates Alan for Reasons so he does the whole talk show song and dance just to fuck with him.


And that was 2023! Mostly movies, I know, but I can’t really talk about fantastic moments in TV because my husband and I are so far behind everything we still haven’t even finished Succession. No spoilers, please, but I have my guess: Greg, the largest family member, eats the other four and wins.


Magic Circle

Elijah was sure a maker of magic must live in some dark, secluded place. The edge of the city, where the rows of houses snap into ever-marching prairie. Some small forest or collection of trees, dark and gloomy from thick branches even in the middle of the day. Perhaps somewhere in the city, but under it, some back alley door that would open to a dank stairwell that would lead down, down, down, so deep you’d wonder whether you were still, technically, in the city.

The business card he had been handed at that party had an address. A real address. 1801 Poplar Lane. When he plugged it into his phone, the blue line tracing his path did not end at the edge of the city, or the middle, or the woods. It ended on Poplar, some nothing street in the middle of the southern suburbs that ended in a cul-de-sac. Elijah was wary. She was a maker of magic. Perhaps the business card was magic, too. The entire drive he spent just as much time staring at the GPS display as the road, waiting for it to mysteriously recalculate, send him somewhere else.

No such thing happened. Twenty-two minutes after he left his midrise apartment he found himself stopping in front of 1801 Poplar Lane. It was a split-level ranch, like all the other houses surrounding it. Painted a light blue, with a yellow door and shutters. There was a beat-up Dodge Caravan in the driveway. A handful of colorful, plastic children’s toys in the side yard. A rainbow pinwheel spun lazily in the morning breeze. A flag hung next to the door, and it took Elijah a few seconds to place it. The local football team.

This can’t be it.

It couldn’t be. It just couldn’t. What sort of magic could be found in a house that had a football flag waving next to the door? It was wrong. It was a prank. Any second now that asshole Jeremy and his equally-asshole wife Tina were going to come busting out the front door, laughing the whole way, taking pictures. You stupid gullible fool, how could you think magic was real?

But…the look on Jeremy’s face that day. New Year’s Eve. Jeremy and Tina’s apartment, with the roof access. Elijah had been doing so well, and then he hadn’t been. And then he really hadn’t been, and he’d searched for a quiet place to completely lose himself. A quiet corner of the roof where, unbeknownst to Elijah, Jeremy hid the cocaine under a loose brick. He’d come for drugs and instead found Elijah a sobbing, wet mess. And perennial Asshole of the Year Jeremy Forte hadn’t yelled out for everyone to come look at the crying man. He hadn’t even mocked him. He’d patted him on the shoulder, reached into his wallet, and pulled out a battered business card

“Really?” Elijah had managed to ask, reading the words on the front.

“She helped Tina,” Jeremy said. “After her mom died. Remember?”

Elijah did. Three years ago Tina’s mom had died unexpectedly of some sudden human bullshit or another and for months Tina was completely destroyed. No one had seen her, Jeremy claimed she wouldn’t even get out of bed but refused to go into more detail (he was an asshole to everyone except his wife, it seemed).

And then one day, Tina showed up at the bar like nothing had ever happened. Polite society: no one questioned it. They all just assumed she found a good doctor who had given her good drugs and she was able to function again.

“I’ve been holding onto it, waiting until someone else needed her. She can help.”

If Jeremy was going to fuck with him, it would have been at the party, with witnesses. It was a little past nine on a Tuesday on a street so deep in the suburbs it was a mile and a half to the nearest building that wasn’t a single-family home. A woman was pushing a stroller and walking a dog. A couple of old men were power walking down the street, deep in conversation. The rest of the morning was quiet.

Seconds before Elijah put the car back into gear, he killed the engine and got out.

Knock. At least knock. See who’s there. And if it is a prank, at least we can get McDonald’s breakfast on the way home. A little treat for being screwed.

The sound of the doorbell triggered a dog barking, followed by a woman’s voice.

“Meatball, shush! Meatball, fetch!”

The door swung open, revealing a petite woman in a university sweatshirt and clamdiggers, her curly hair pulled back loosely. A crown of flyaways surrounded her head, and with the morning light cutting through the house behind her they were all lit up like a halo. She gave him a guarded smile.

“Hello?”

A golden retriever came running up behind her, a stuffed animal shaped like a moose in its mouth. Elijah looked between the dog and the woman.

“Meatball?” he asked.

The woman smiled and shrugged. “The kids named her.”

The woman still had a hand on the door, and Elijah realized he was a strange man standing in front of a woman’s home.

“I’m Elijah,” he said quickly.

She raised an eyebrow.

The card, idiot, the card.

He reached into his pocket for it and held it out to her.

The change was instant. A softening of the shoulders, widening of the door. She took the card and inspected it, perhaps making sure it wasn’t a photocopy.

“Ah,” she said. “Come in.”

Elijah hadn’t even realized there had been a part of him hoping the inside of the house would be an obvious witch’s den until it wasn’t and palpable disappointed crawled down his spine. There was no cauldron. No shelves of glass jars filled with whatever eye of newt was. No magic books, no black cat, no brooms. There was the sound of Roomba toodling along downstairs, but he couldn’t imagine a witch flying a round little vacuum through the night.

The house was the picture of modern suburbanity. As she led him up the half flight to the upper part of the house the wall was covered in pictures, mostly of three kids at various holidays and school events. The living room had a large television, a sectional covered in stains, and more kids’ toys scattered about. More pictures on the wall. Meatball following him closely, shoving the stuffed moose into him but refusing to let go when Elijah tried to take it.

The kitchen was much the same. The table had paint stains. A white board calendar hung on the wall, filled with things like JOSIE DANCE RECITAL and ALEX HOCKEY PRACTICE. The fridge was covered with art and tests with bright red A’s on top.

“Can I get you something to drink? Water? Lemonade? Coke?”

“A Coke, I guess,” he said.

She went to the pantry and reached up to the highest shelf.

“It’s going to be warm but I can put ice in it. My middle kid, Sophie, has become an addict. I have to put it where she can’t reach it.”

She poured the can into glass full of ice, and as the foam fizzled out the top she went back into the pantry and pulled and impressive selection of cookie boxes.

“Josie’s a Girl Scout,” she explained as she lined a tray with cookies. “So we get ‘em all. You’re not allergic to peanuts or anything are you?”

Elijah shook his head. He was still wondering if this was a prank. Or if he had completely misunderstood what was going on here. The card had said ‘maker of magic,’ and now that he thought about it, what sense did that even make? It told him nothing. What sort of magic? She was a middle aged housewife with three kids and a dog named Meatball. What, exactly, was she supposed to do to help him?

“Come on,” she said, picking up the tray. Feeling like he was too deep to simply set the glass down and walk out of the house, Elijah followed. Down the stairs, through a hall, stepping over the Roomba picking up dust. A single door remained.

This is it. This is where the magic will be. The cauldron and the black cat and the funny looking broom.

Of course that wasn’t what was in there. Elijah had barely believed it himself. It wasn’t even dark and spooky. A large window faced into the backyard, letting in a large square of sunlight across the beige carpet. There was a couple of rocking chairs. A table in-between. More pictures of the kids and more of their art on the walls.

Except for the far wall, where someone had DIY’d a series of wooden shelves in the shape of hexagons, like honeycomb, except instead of honey ever single hexagon was packed full of yarn.

“Pick a base color,” she said, gesturing to the wall with her head as she put the cookies down on the little table. “I need to call my husband real quick before we begin.”

While she told her husband she’d gotten an unexpected client and could he please pick up something for dinner on the way home? Elijah explored an entire world of color. There was no organization. No system. A single honeycomb would have several reds, a green, a mustard, three different shades of pink, and a multicolored strand. A whole wall of this. A riot of color. It almost made him nauseous. He picked a cool gray from the middle and quickly turned around.

“Good choice,” she said, taking it from him. “Wool. Very soft, and only gets softer. It won’t be machine washable, are you okay with that?”

Elijah shrugged. He didn’t even know what would happen with it, let alone if he’d want to wash it.

She picked up on this, frowning. “They didn’t tell you how this works, huh? Please, sit right there.”

Sitting in one rocking chair, she gestured to the other. He sat, surprised at how comfortable the wood was. There was a drawer in the little table between them, and she opened it. He hadn’t seen them since his grandmother died, so  it took him a second to remember what they were. Crochet hooks.

“It’s really very simple,” she said, picking one with a red handle. “But also a little hard. You tell me the things you don’t want anymore. I put them in the blanket.”

Elijah frowned. “You mean…my memories?”

“Hmmm, it’s more complicated than that. You’ll still remember things, I don’t take the actual memories. Just the emotions surrounding them. When we’re done, you’ll be able to remember without being overwhelmed.”

Did he believe her? It almost didn’t matter. He wanted to believe her. ‘Overwhelmed’ was an understatement for what those memories did to him. They consumed him. Smothered him. Made him forget how to stand, how to breathe, how to be alive. He didn’t want to forget. He only wanted to function.

“You said it’s a little hard?”

She nodded. “You need to tell me everything.”

“Everything?”

“Everything you no longer want. You must tell me. Say it out loud. Tell me the story. The telling of it, that’s what does the trick. The telling of it puts the emotion into the blanket.”

Could he? Physically, he meant. Could he physically get through saying it all out loud? Could he make his mouth move? His tongue? Could he force the air through his vocal cords and make the sounds?

“If it’s too hard-”

“I want to try,” he said. “I want to.”

She gave him a sad smile and nodded.

“We can stop whenever you want. We can take breaks. Whenever you’re ready.”

She had already begun, making a circle with the cool gray.

Elijah sat in silence, and she let him. Trying to find the right spot. The spot in his memory where it all went wrong. Where everything tried to shut down.

When he started talking, it seemed he could not stop. Out and out the words flowed. Only pausing for a sip of Coke. A bite of Thin Mint. A crying jag that left him so out of breath he thought might pass out onto the floor. She would wait patiently as this happened, holding the yarn in her lap, and when he finally had himself under control she would begin again.

He was only vaguely aware of her. He mostly stared out the window, and out of the corner of his eye he could see her compact motions, the circle of yarn getting larger and larger, around and around and around.

When it was all out it was late afternoon according to the sun outside, four-forty five according to his watch. New sounds were in the house. Kids, out in the back yard, yelling at each other. Meatball barking. The television upstairs blaring. He hadn’t noticed it all.

“Very nice,” she said, holding up her work. “I told you gray was a good choice.”

When had she gotten up for more yarn? He didn’t remember, but she must have, because the whole blanket was not the gray he had chosen. It switched, to a black, to a white, to another gray, and to several rounds of the most delicate, light blue he had ever seen. Had that even been on her shelf?

It was not a full blanket, but still pretty big. Three feet across, maybe. A lap blanket, for the couch.

“How do you feel?”

“Exhausted,” he said automatically. Which was true. But he also felt…light. As though he’d been carrying some ridiculous weight on his back this whole time, and somebody finally noticed and took it off.

He experimented. He thought about the things he’d been avoiding, the things that had kept catching up with him.

The memories were there.

The destruction was not.

He looked at the blanket she was holding. “They’re…they’re in there?”

She nodded again. “Do you want to keep it?”

“Keep it?”

“Some people do. Some people don’t. The emotions are still there. Here. I didn’t destroy them. I put them in the blanket. So, if you touch it…”

He’d been reaching for it but pulled his hand back like he’d been about to be burned.

“Why would I want that?”

“Some people do,” was all she said. “Take it home. You can get rid of it later if you want.”

She put the blanket in a paper bag so he could take it with her. And as she handed him the blanket, she handed him back her business card.

“Pass it on,” she said. “When you meet someone else who might need me.”

Her husband was pulling into the driveway as left the front door. The paper bag he carried was much bigger, and smelled of curry. He smiled at Elijah as they passed on the walk.

“You must be her unexpected client. Did it go well?”

“I think so.”

“She’s amazing, isn’t she? Got a knack.”

Then he was past him, up the stoop, in the door, bellowing into the house dinner has arrived!

When Elijah arrived home, the emptiness of his apartment was simply a fact. A dinner alone was nothing more than a dinner alone. Half a bed was nothing to worry about.

His life had been given back to him.

The blanket he kept in the hallway closet, in the paper bag, on the highest shelf. He never thought he’d want to see it again, but one night, watching television and flipping through social media on his phone, a distinct urge rose in him. Something akin to picking at a scab or biting a sore. He turned off the television. Put down his phone.

The blanket was where he had left it. He brought it to bed, only taking it out after he had laid down.

Emotions swallowed him whole, he was crying before he knew it, but there was something different this time. The tears felt less devastating, more cathartic. Because this time, he knew, when he was done, he could put the blanket away. Put the grief away. And move on.


The Marvels Commitment Problem

The Marvels was not a good movie. You know that. I know you know that. We don’t need to go over all the ways it wasn’t good again. I will say it was better than Ant-Man and the Wasp: Quantumania but that bar is so low demons in hell have ripped the bar off the floor and started beating sinners with it. Quantumania isn’t just a bad movie, it’s completely nonfunctional, and I encourage everyone who wants to write to watch it and take notes on what not to do.

Actually, you know what, fuck it, this isn’t what I wanted to get into today but we’re making a quick detour because thinking about this movie is pissing me off again.

Reasons Why Ant-Man and the Wasp: Quantumania Isn’t Just Bad, It’s Completely Broken

  • They’ve completely changed the characterization of all their main characters. Scott Lang is an ex-con who thinks that crime is perfectly okay if it’s for a good enough reason or if the victim is rich, he would not care if Cassie got arrested for protesting and would probably be proud of her.
  • Nobody gets a character arc. There is no growth, there is no change, there is only a variety of multi-colored goo.
  • They turned first movie villain Darren Cross into MODOK for literally no reason other than to make fun of the concept of MODOK.
  • Nobody fucking talks to each other! All of the conversations between characters are entirely utilitarian, basically ‘what do we do next?’ over and over and over. Hank Pym finds out when his wife was stuck in the Quantum Realm she was casually banging Bill Murray and they don’t talk about it at all. Once they leave the scene with Bill Murray it’s like it never happened.
  • Stop inviting Billy Murray to be in things. He clearly doesn’t want to be there.
  • Ant-Man movies are supposed to be fun side mission stories set in San Francisco where the stakes matter to Scott, and maybe San Francisco, but not the entire MCU. Having Kang first show up in one of these things is plain stupid.
  • Seriously, so fucking obvious that if this was going to involve anyone else from the wider universe it should be Shang-Chi, the only other MCU character also living full time in San Francisco, but no. Fucking Kang.
  • Luis doesn’t show up for a single, God-forsaken second.

In short, maybe don’t hire a fourth-rate Rick & Morty writer and then fail to check-in on his progress.

At least The Marvels functions. However weak and half-assed they were, the main characters have growth arcs. They change. They actually talk to one another. Like, Jesus Christ, it’s the basics of screenwriting, how do you even get past 101 without…How does a script like that get approved by multiple people…

God, it makes me so angry.

The Marvels is a functioning movie but it’s still not good. And this time it’s not simply because they hired a hack TV writer and let him jerk off for hours on end.

The Movie Feels Afraid to Commit

The villain, Dar-Benn, is a Kree who had to watch Carol Danvers destroy her planet.

See, in the first Captain Marvel movie Carol finds out the ruler of the planet Hala, the Supreme Intelligence, had completely fucked her. A botched Kree mission left her with her Captain Marvel powers, and then the Supreme Intelligence in complete Panic Mode decided to bring her to Hala and brainwash her into forgetting all of her Earth memories and making her think she was a Kree police officer. Once Carol found all this out, apparently the first thing she did was fly her binary ass back to Hala to Holdo Maneuver the Supreme Intelligence. She thought she was freeing the Kree people, but actually this led to an immediate civil war followed by extreme planet destruction. The air isn’t breathable, the water is poison, and their sun is dying.

Carol Danvers was pissed and hurting, and looking for revenge, and when she lashed out she managed to fuck up an entire planet.

This is, honestly, such a cool and ballsy direction to take one of your superheroes in. She is a hero to us, yes, but to an entire other planet she is the Annihilator. She can’t do anything to fix it. She feels such tremendous guilt about the whole thing she’s put herself in self-imposed exile, refusing to stay on Earth for any longer than it takes to punch Thanos in the head, which dovetails nicely with Monica Rambeau’s feelings of abandonment and Kamala Khan’s hero worship. Through their place-swapping antics, Carol is forced to face who she is, what she did, and the people she left behind. Monica would be able to have closure with the last thing remaining of her mother, and Kamala would learn that even superheroes are just people.

All of that would have been very nice, if someone hadn’t gotten cold feet and fucked everything.

I don’t know how this happened. I know there was some ‘troubled development’ but that’s such a blanket statement it essentially tells us nothing. My guess, based on a general pattern of literal decades, is that the studio execs got cold feet and ordered changes in post. This is, again, a complete guess, I have no insider information and should not be quoted basically ever.

You don’t find out why random Kree call Carol the Annihilator until, I think, an hour into the movie. Our trio dips out of a major fight and lands on a random planet seemingly made entire out of wheat fields that just absolutely reeks of re-shoots, and Carol tearfully tells the other two that she’s the reason Hala is dying and Dar-Benn is having a normal one in the same tone she might have used to tell the neighbor kid she accidentally ran over their cat.

Then Monica and Kamala fucking race to be the first to forgive Carol and everything is happy again, yay!

It’s not even half-assed. It’s quarter-assed. It’s that part of the ass on the side that technically might be the hip.

Kamala even says, “I am sorry for coming on too strong at the beginning. I did not give you a lot of space to be a real person.” Like, she just fucking says it. She says it. She says it out loud, with her mouth, and it’s the exact thing her arc should be and yet it is completely unearned.

The entire scene takes less than two minutes.

Again, no proof, but it just feels like someone had this great, bonkers idea and someone else with much more power went, ‘Haha, no, absolutely not’ but only after they had shot too much to change the plot entirely. So instead the movie just skims the surface, never committing to its idea and making the whole endeavor feel shallow.

While this example is far more important to the movie as a whole…because, you know, it tanks the whole fucking plot…a more distilled example of the movie being unable to commit is:

The Singing Planet

There’s something about the Aladna scenes of this movie that just feel…off.

Carol thinks that Dar-Benn is going to go to the planet Aladna to steal their water for Hala because Aladna is 99.63% ocean. And the people who live on that 0.37% communicate through song. And not just song, full-on musical numbers with harmonies and coordinated dance moves. And when they land, Carol is forced to reveal that, for political reasons, she married the prince and is technically the princess of the planet and her Sunday-cozy outfit gets magically switched to a Captain Marvel themed Disney Princess dress and she’s trying to warn the Prince that the planet is about to get wrecked but she has to do so through a song and dance duet while Monica and Kamala look on in bemused horror.

The whole thing is awkward and I hate it. The only good part is Monica is somehow immediately double fisting.

This is where the half-assed nature of this movie really shines for me. I have zero proof of this, again, NOT INSIDER INFORMATION, DO NOT QUOTE, I AM AN IDIOT. But it absolutely feels like, to me, at one point this part of the movie was supposed to be much, much bigger. It’s a God-damned musical planet. It’s Planet: The Musical. This should have been a motherfucking showstopper. A blow out. All three of our main characters should have gotten costume changes and been singing, too. They should have gotten solos. The surprise musical number should have been a breakout of the movie. The song should have gotten so big it gets a single edit and ends up on the radio.

But, no. No, instead it once again feels like someone got cold feet and this idea was pulled back on at the last minute. And if that’s not what happened and this was what they wanted? Then they were wrong, they should have gone all out. This scene just feels like an awkward middle ground and makes me want whatever Monica was drinking.

Commit to the Fucking Bit

Quantumania can teach an aspiring writer just, like, an absolute mountain of shit not to do, but there’s only one main takeaway I think you should take from The Marvels and that’s to fucking commit.

Whatever weird and wild shit you want to create? Do it with your entire ass. Don’t hold back because you think people aren’t going to like it. Because guess what? A lot of people won’t. There’s eight billion people on the planet, you can’t reach them all. But if you sing your weird little song with your whole throat you are going to find the people who resonate with it and they’re going to follow you to the ends of the earth. Would a full musical number in the middle of this movie been super-ultra-duper-cringe? Yeah, maybe. But what we got is already that and its entirely forgettable.

If you’re going to give your main character a genocidal history, lean into that shit. Otherwise it starts to feel like maybe you’re, you know, sort of okay with genocide as long as its done by the ‘right’ person.


My Favorite Final Fantasy Game

Final Fantasy XV came out in 2016 but I’m talking about it now because I just purchased the Windows Edition on Steam and I am still in the purest, most wholesome love with this game. I want to take it to the drive-in and then sit chastely in the front seat, holding hands over the center console. I want to get it a promise ring. I want to take it to prom and then have it home at a reasonable hour, meeting its parents at the door and shaking hands with its father.

Oh, also, we played Final Fantasy XVI over the summer, and the only thing I want to do with that game is give it the side eye while I heap praise on XV, so let’s fucking go.

For clarity’s sake, I’m going to refer to Final Fantasy XV as Fifteen, and Final Fantasy XVI as Sixteen, because it’s 2024, why are we still entertaining Roman numerals?

The Story

Okay, look, I have played the base game probably four or five times back in the day, and am currently working on another playthrough, and I still couldn’t tell you precisely what the fuck is going on. There’s a city-state with a king but also a neighboring or potentially related Empire that was going to sign a truce treaty but – surprise – the Empire gets into the city-state and goes on a fullblown bender, tearing everything down to the studs and taking the city’s crystal. It’s a Final Fantasy, of course there’s a crystal. And the king in the city-state was protecting it, but also the crystal was protecting them, but also there was prophecy that this was going to happen so the king sent his son away before any of this could happen, and also also there’s this other guy, Ardyn, who fucking hates everything, and the main story is super unclear why, but he shows up occasionally to be weirdly menacing. To get the full story you need to watch a movie and an anime, play the DLCs, watch a short prequel to one of the DLCs, and then maybe you’ll kind of, sort of, not really have the full picture of who all these people are and what they’re trying to accomplish.

But none of that matters, because when you get down to it, Fifteen isn’t really about that. Oh sure, that’s happening. The characters are talking about it. But the real meat and potatoes of the story is:

MOTHERFUCKING ROAD TRIP

You are Prince Noctis, trying to get to your mostly-political wedding to Lady Lunafreya, and you’re doing it by driving across the country with your three best buds. Sure, your city is in ruin and your dad is dead, and those assholes in the Empire keep dropping MT’s on your head, but your primary mission is to Have a Good Time.

I am barely joking about this. Yes, the super serious plot stuff crops up pretty consistently, but also one of your friends, Prompto, is constantly taking pictures that you can choose to save. There are even spots where he’ll be like, that looks cool, let’s take a picture there! And you, as Noctis, will be like, bet. And then this new mission will override your current mission and Ignis will turn the car around and you’ll all pile out and get a group shot in front of a big meteor or whatever.

There’s a part early on, shortly after the gang has discovered that everyone they love is either dead or currently being tortured, where Gladio finds out his sister made it out of the city and is hiding in a spot further west. And, for obvious reasons, Gladio just wants to get there as fast as possible. But oh my God, you guys, there’s a chocobo farm nearby!!!!!!!

The choice is obvious, and even Gladio isn’t too upset by this.

Every night to bank experience you have to either stay in a hotel, camper, or actually camp out somewhere. There are cutscenes of the four boys just sort of chilling, and if you’re camping Ignis cooks a meal. Later in the game, after you get sent to a different continent, you can go back to early areas via the hotels, in what is framed as ‘reliving memories.’

As I said, there was a prophecy. Not only did King Regis know he was about to get fucked without a lunch break, he also knew that Noctis’ life was going to get, like, super shitty, you have no idea, and literally just wanted his son and his friends to have a good time before that happened.

All the political shit is backdrop. The main crux of Fifteen is having a good time with your friends before you have to grow up.

The Characters

Prince Noctis, who not-so-subtly does NOT want to get married and barely seems to want to be a prince. He enjoys fishing and hates vegetables and pretends like the next person who asks for a favor is going to get a blizzaga spell up the head, but clearly actually loves diving into a demon-infested cave to get a can of car wax or whatever. Because you know what isn’t in that cave? Lady Lunafreya in a wedding dress. I’d call him the twinkiest twink on Eos but he isn’t even that in his own friend group. That would be…

Prompto, normie friend from school with a dark secret that literally doesn’t matter at all. When he finally talks about it with the others they are so full of Whatever I’m amazed any of them are managing to stand up right. I think Prompto’s tininess freaks Gladio out, because during fights I often get Gladio screaming ‘Prompto’s barely holding on!’ while Prompto is still at, like, half health.

Gladio is your buff old brother who puts protein powder into everything he drinks and listens to Joe Rogan. He’s supposed to be Noctis’ royal bodyguard, and he takes this Very Seriously. His body is a temple, and that temple is stuffed with empty Cup Noodle containers.

Ignis is your standard issue mom friend whose main concern is making sure Noct doesn’t die of scurvy. He does all the cooking because he knows if anyone else tried they’d set the camp on fire, and he’s probably spiked all of the high-tension coffee he drinks with vodka.

These four make up your main party, with the occasional guest, and the thing that works so well about them is that they feel very much like real twenty-somethings who have no fucking clue what’s going on but think they have a mastery over their situation.

Also, a very important distinction between Fifteen and Sixteen is that Fifteen is fully voiced while Sixteen is not. There were so many times during Sixteen where I’d fully forget Clive was wandering around with anyone because they wouldn’t say anything and they’d be trailing Clive off screen so you couldn’t even see them. I’m thinking Clive is checking out this empty field alone, and then he comes across a whatever-the-fuck and suddenly Jill is there chucking freeze spells at it and I’m like, oh yeah, you’re here, too.

Noctis’ friends do not shut up. Ever. There might be fifteen seconds where they’re all running at an objective in silence – his friends coming in and out of frame, reminding you of their presence – but then they’re chatting about something that happened in the plot, or how they feel super tired today, or Prompto will just start fucking singing the Chocobo jingle. Riding in the car? Talking. Fighting? Oh, you know they’re talking. Sometimes when you’re talking to an NPC you have the option to punt your response to one of the other three, and even when that doesn’t happen all four of them are involved in the conversation. Meanwhile, over in Sixteen, Clive has a full conversation with an NPC with Jill just, I don’t know, standing directly over his shoulder watching everything in constipated silence.

The Setting

I get so tired of fucking boring-ass pseudo-England settings that when Fifteen opened up in a God-damned desert I exploded in sheer joy.

Okay, technically the game starts in the city of Insomnia, but you’re there for all of thirty seconds before it cuts to Noctis and his friends pushing his broken-down car through a fucking desert.

It’s so great, I can’t stop thinking about it. When’s the last time you saw a full fantasy in the middle of the desert? (If you watch anime, don’t answer that.) There’s fucking sand and rocks and a whole bunch of giant scorpions and then night falls and demons rise up from the ground to try to take your head off. It’s awesome.

The whole thing isn’t desert, either. You get some wetlands surrounding a lake. A seaside resort. A fucking volcano and magma fields. And a big city fashioned somewhat after Venice. All the sorts of places you’d never get to see if you insist on having your fantasy set in the middle of a Ren Faire.

To be fair, Sixteen also has a desert.

To be fair in the other direction, said desert is surrounded by boring-ass pseudo England. So many fucking villages and glens and glades and trees and rolling hills. Makes me want to puke.

Other Things I Love About This Game

You interact with a dude name Dino, who has the thickest New York accent on the planet, because it’s JRPG law that a dude with a thick New York accent exist somewhere. For some inexplicable reason, he is also very pretty.

You can change the color of the chocobos you ride. AND the game doesn’t make you fucking kill any, and I am glaring directly at you, Sixteen.

When you wake up at a hotel or camper, Noctis’ friends are just sort of scattered around like they woke up first and decided to kill time by looking at shit. And then you can find each other and approach them, and they greet Noctis and follow him around while you look for the others. I can’t put an exact number on the amount of serotonin this has given me over the years.

They pronounce ‘chocobo’ correctly. Again, fucking looking at you, Sixteen.

Cake, Baby

In Conclusion

Final Fantasy XV is the best Final Fantasy, a judgment I can totally make because it’s the only one I’ve ever played, don’t @ me.


How I Learned to Start Worrying…

I don’t think they teach about nuclear bombs correctly in American schools. And I don’t know whose fault that is.

If you’re American, do you remember when that first came up? I mean, if you’re not American, same question. I only specify American schools because that’s my experience and I can’t nor want to generalize for the entire planet. That’s what a lot of Americans have done in the past and, uh, it hasn’t really gone that well for anyone.

I’m sure it first came up in the social studies section on World War II. After all, they first came up in reality in the days leading up to WWII. And of course, because I think at this point it was a classroom full of…what, fifth graders? Fourth? Sixth? Somewhere around there. When you’re teaching a years long conflict that had decades of lead-up and almost a centuries’ worth of consequences and changed the physical, emotional, and symbolic landscape of two-maybe-three continents to a bunch of ten year olds who haven’t discovered deodorant yet let alone know how to spell ‘geopolitics,’ you’re going to have to dumb shit down.

Germany was pissed about how they were treated at the end of the first world war. So pissed they elected a psychopath and started blaming the Jewish people for some insane reason. Hitler – the psychopath – invaded Poland and everyone got Very Mad about it. Meanwhile, for reasons I don’t believe were ever as well elucidated, Japan decided it was pissed about shit, too, and started taking their anger out on the Pacific and the rest of Asia. The US was all, “Man, this doesn’t seem like something I need to be involved in,” right up until Japan decided to bomb the shit out of Pearl Harbor for absolutely no reason whatsoever, I swear, they just sucker punched the US for the hell of it, and that made the US so angry they decided to draft every male in the country whether they had flat feet or not and launched them at full speed at both fronts. Nazi Germany eventually failed because they sucked, but Japan just wouldn’t surrender, so the US was forced to drop two new types of bombs that the world had never seen before, and thus the world was finally saved from the Axis Powers by the good old US of A.

It turns out that trying to gloss over history for the benefit of a bunch of tiny fucking morons might not be the best way to convey important topics. And there’s a lot to talk about here, how much nuance is lost, how a curriculum made by Americans, for American children is obviously going to paint the USA in the best possible light, but that’s not what I want to talk to about today.

To end the war the US developed and dropped nuclear bombs on the Japanese cities of Hiroshima and Nagasaki. Then the war was over and everybody was very happy and celebrating in the streets and that sailor kissed that nurse. The end.

I’m almost thirty years away from those bullshit days in middle school and junior high, but I’m fairly certain the Pacific Theater of WWII only came up for Pearl Harbor, and then the Bombs. And I’m also questioning whether the concept of Japan wouldn’t commit to a unconditional surrender ever even came up. There’s a big part of me that thinks that they left that part out and went straight to BOMB.

And then we were done.

That’s the part I’m trying to get at here, however roundabout my rambling. After weeks of learning about global conflict, it’s like, oh, and by the way, scientists in the middle of fuck-all New Mexico developed a hell bomb and we dropped two of them and that was that. Now it’s time to talk about…oh, no, school year is over. See you guys back next year when we start all over at the American Revolution and give you a slightly more accurate version than last year byeeeeeee.

I don’t know what the kids are learning in school these days, either, but I know when I was going thirty years ago, lessons about US history fell off a cliff after WWII. There was always a section on the Civil Rights Movement – which totally solved racism in America, don’tcha know – but how much did they teach us about the Cold War? The Korean War? Vietnam? I can’t fucking remember. What I do remember is getting to college and seeing that there were two US history courses to choose from: the 1700s to WWII and everything after WWII. And I jumped on that second class specifically because I felt like no one had ever fucking taught it to me.

Think about how insane that is. You’re telling children ‘hey, we were the first to develop weapons of mass destruction and we did it decades before you born, but it’s whatever, let’s move on.’

And as a kid, you sort of go along with it because you’re a dumb shitty kid and you don’t even want to be talking about this in the first place. And it’s not like you existed in a bubble where the only information you got was from school or your parents. I mean, I know those kids existed, and if you were one, I’m sorry, but statistically speaking you had television. You had movies. You had adults talking to other adults in your vicinity, sometimes about shit that mattered. Kids are stupid but they’re also little sponges that absorbs abso-fucking-everything around them. So even before they told us about nuclear bombs in school, we knew about them.

I wanted to say ‘especially back in the eighties/early nineties’ when I was a little kid but I guess we’ve swung back around to a generalized fear of nuclear holocaust being the norm. I don’t know, do the kids know we live under the ever-present possibility that a single person could doom the entire planet, either through rage or sheer fucking ineptitude?

If you’re a kid, comment below!

Anyway, that overhanging fear is why I wonder whose fault it is. Adults in the early nineties had lived with the idea that everything could end in an instant for most of if not all of their entire lives. It just…was. That was life. If they were old enough, they lived through a period where not only did you learn about the bomb, you did fucking drills in case the air raid sirens went off. That was what life on earth was. And the thing adults are best at is forgetting that kids literally don’t know anything. They don’t have the same experiences because they don’t have any experiences, so casually telling them that nuclear bombs could wipe us all out doesn’t feel like anything to the adult because duh, of course but feels like everything to the kid because wait…WHAT.

I feel like something as fucking monumental as nuclear bombs should have been given its own section in history class. Maybe not in middle school. But high school. College at the latest. When I was in eighth grade we took a trip to Washington, DC, where they took us to the United States Holocaust Memorial Museum and that place is not pulling a single punch, which it shouldn’t. The things I saw in that museum have stayed with me for decades, and hey, maybe every single American citizen should be given the money for their own trip and then we’d have less insane assholes trying to claim the Holocaust ‘wasn’t that bad’ or whatever the fuck.

But there should also be the same experience for what was done in Hiroshima and Nagasaki. All of this is stemming from the fact that I spent all of 2023 slowly reading through The Making of the Atomic Bomb by Richard Rhodes, which is about six hundred pages of slow, technical, political bullshit, and then a hundred pages of some of the worst emotions you’ll ever feel in your life as he gets to the part where the US actually dropped the bombs. Rhodes puts in literal pages – maybe fifteen or twenty – of nothing but personal accounts of people who survived the bombing of Hiroshima.

And then there are the pictures.

We need to be teaching this shit to the youth, to the people who missed out, to everybody. Maybe then people would stop thinking a post-nuclear future would look like Fallout, something they could fight their way through and survive. Everybody who was rooting for fucking ‘pocket nukes’ when Russia invaded Ukraine should be forced to look at a different picture of Hiroshima every five minutes until they knock it the fuck off.


Bad Boy Meets Good Girl

“I’m a bad boy,” he said, looking away into the distance. “You should stay away from me. I’m no good for you.”

“Oh. Okay, then,” she said, and began walking off.

Startled, he practically jogged after her, grabbing her arm. “Wait, where are you going?”

“You said I should stay away from you,” she answered, confused. He had been there for that part, she was sure of it.

“I didn’t really mean it!” he said.

“Then why did you say it?”

He blinked. “I don’t know. I guess I’ve never really thought about it. If I had to, though…”

He stood for a few moments, chin cupped in his hand, eyes wandering the ground in front of him, skipping from discarded penny to stuck gum to a thin weed growing from a thinner cracked. She waited patiently.

“I guess I’m afraid of commitment,” he said. “Spending a lifetime, or even just years with someone? It freaks me out just thinking about it.”

“So, you don’t even want to date me?”

“No, I do!” he said, throwing out his hands. “I desperately need someone in my life who I can love and will love me back. But…what if I fuck it up?”

She shrugged. “What if you don’t?”

“But what if I do?”

“Okay, but…what if you do but it’s not that bad and it can be fixed?”

“Oh, hmm,” he said, rubbing the back of this head. “I never thought about that before.”

The two of them stood in the early evening, next to the vending machines, moving awkwardly to the side when businessman on his way home wanted to get a Hershey bar.

“Look,” he said finally. “This has been great, but I think it’s clear that before I start a relationship, with you or anyone, I need to start therapy. Dig down into what’s going on inside me. Be comfortable with myself.”

“Agreed,” she said. “I go to therapy myself, it’s a great way to understand your own actions before you commit to them.”

“Maybe I’ll see you in a year or two?”

“Yeah, let me know!”

And the two of them shared a firm, but polite, handshake and went their separate ways.


I Remember the Radio

We weren’t supposed to be out there. Hell, we weren’t supposed to be anywhere. Shunted out of polite society for reasons I still don’t fully understand, even to this day. Whatever happened, Mama and Pappy didn’t feel inclined to share it with little kid me or adult me or no version of me whatsoever. They died with that secret. Maybe that’s just as well. Don’t know anybody who would even care anymore.

It was a good little spot. A creek had spent a couple millennia or more cutting down through the little knoll. So we had a creek on one side, still full of fresh water those days, and a hard wall of packed dirt on the other. Kept us safe.

We built our home in between the two. Nothing more than a two room shack built out of lumber Pappy ‘stole ‘found’ from who-knew-where. Drove on up the hill with all of it tucked neatly in the bed of his pick-up. Took ‘em a whole week to build those two rooms. ‘fore that we was living in nothing more than a lean-to, Pappy’s old tarp from the first war stretched tight from the top of the little cut-off knoll right down to the ground. Getting to move into something with solid wood under your feet instead of just shifting sand made us feel more alive. Disconnected from the earth. It had been trying to swallow us whole.

Pappy picked up Mama and carried her through the front doorway. Well, it weren’t no doorway ‘cuz there was no door, but we cut that tarp down to size and hung it from the top and I held it to the side while he carried her in, both of them giggling like children. There was the big room and the small room, nothing more. Pappy and Mama took turns driving that truck back to civilization and bringing stuff back. Straw mattresses, one for them, one for me. A little table and a couple of chairs. Only two. Pappy always stood, or leaned against the big butcher block he’d ‘found.’

Always, always, these things were ‘found.’

“Look what I found, right next to the road into town!” Pappy would say, carrying in a bag full of clothes, or some pewter dishes, or once the heavy woodstove he put into the big room.

Found. Sure. I was a kid then, but I was ten. Old enough to know how the world works. Old enough to know ain’t nobody in their right mind just leaving something like a wood stove on the side of the road. But I didn’t say nothing, because I knew I wouldn’t get answers. Just a beating.

Looking back now, I wonder if the lie was even for me. Maybe it was for them. Maybe they was playing pretend.

We was living in the middle of the high desert. Surviving, really, at least for the first year. That first winter. Even now, most of my nightmares go back to those nights. Who knew it snowed in the desert? Who knew it snowed so much in the desert? I did not. But I surely do now. The storms that would roll through, the weight of nature pressing in on us from all sides. Heavy snow. The winds that would howl straight through all the little gaps in between the lumber of our shack. I can’t believe we weren’t crushed. I can’t believe we didn’t blow away.

That first winter we were so close to death I could see it, living with us, staring, biding its time. The rest of the world could never find us in our little creek bed, but death would follow us anywhere.

I would lie awake at night, staring at it. And it would stare back at me. Neither of us making a move. Just listening to the wind, and when the wind would fall away, the sound of Mama weeping quietly into Pappy’s chest in the other room.

Probably it was a dream. Maybe it wasn’t. I asked it one night, toward the end of the winter, I look it in it’s black swirling nothing of a face, and I asked it:

“Who are you going to take first?”

I did not expect an answer, but I got one.

Maybe I’m not here for any of you.

Death’s voice sounded an awful lot like my Pappy’s.

~

The last thing Pappy ‘found’ was that radio. The May after that terrible winter. He’d been doing regular trips with the truck, coming back with seeds, hoes, rakes, a hunting rifle and more ammunition than you’d ever expect to simply ‘find.’ Even after what we’d been through, there was still no going back. So Pappy was out to make sure we survived the next one.

Of course I don’t know what happened with the radio. Of course no one told me. Mama and Pappy talked to me little. Short sentences. Mostly orders. Demands. Sometimes I’d catch them staring at me, out the corner of my eye, and see this look on their face that said it all. This little thing they were doing, this little adventure, would have been so much better without an accidental child clinging to their coattails. If I hadn’t been there, they’d have one less mouth to feed. One less mattress to buy. One less future to worry about.

But, then again, I sometimes caught them looking at each other like that. They never fought in front of me, not that I can remember. But it was worse than fighting. It was this gradual shifting away from each other, which would never work because we were all trapped in a space that amounted to nothing more than a single car garage. It’s a bitter thing, hating someone you loved. Worse when neither can leave.

Oh, the radio. Yeah, I don’t know what happened but whatever it was, it was enough to keep Pappy or Mama going back to whatever town they was stealing from. Pappy had a black eye and a click in his jaw for weeks. He kept giving the way he’d come little glances, too, when we thought we weren’t looking.

It was this little compact thing. Well, you wouldn’t call it ‘little’ today, no sir, but compared to the one we’d had in our house, our real house, before we was driven from it, it was nearly child-sized. Rounded edges, nice wood finish, it had a little glow in the beginning behind the dial but Pappy got into it and took out the bulb so the battery would last longer. He put it on a little table that had sat empty in the corner since Mama had ‘found’ it the previous autumn, and at night, when the sun went down and the signals went further, we’d have a little piece of humanity humming away.

None of the stations came in very well. We were too far away. But there was something comforting about the static, too. Especially as the next winter came down around our heads. Outside the wind blew and that was a separate thing, a thing humans had no control over. But the static? We found the static. We made it. Even if it didn’t sound like humans, it was still a human sound.

Christmas Eve, that second winter, Pappy was turning the dial on the radio, trying to find something comin’ in with either news of the war or maybe just some carols for Mama, when he hit upon a station that seemed to climb out of the radio and deliver its music in person.

“What’s that?” Mama asked, startled.

“I don’t know.” Pappy said, staring at the radio like it would give up answers.

“It weren’t there yesterday.”

“Damn it, I know!”

If the other stations came in like a distant shout, this station came in like a roar from right under out feet. We could hear every sound, every note, every breath. Sometimes the announcer would mutter to himself as he picked something new and it was like he was muttering right behind us, right into my ear. I surely don’t have to say that after that Christmas we did not change the station. Nothing came in as well as this mystery broadcast.

And it sure was a mystery. They played all sorts of things, with no consistency. Classical music. Modern jazz. Pieces sung in languages I ain’t never even heard of. A nameless announcer would cut in between, never giving out a call sign or nothing. Just what had been played, what would be played next. Seemed to be just a man, somewhere out there in that wild darkness, playing whatever sort of records he had on hand.

Except there would be live performances! The first time our nameless announcer friend said someone would now be playing the piano for us we were awestruck. All three of us, looking at the radio, at each other, like we’d just discovered a new continent. This was not a simple man by himself. This man had a room big enough for instruments like a piano. This man had friends. This man was not simply broadcasting out into the void. There was an audience. And we were a part of it.

I think that was the trick of it. Knowing we weren’t alone, even when we were. We weren’t just three people in the middle of nowhere anymore. We were in an audience. When we had the radio on, we were listening to the same thing other people were. How many people? We would speculate. Guess. What were they doing? Where were they? Did they know the people getting on the radio and playing piano, guitar, clarinet? Did they know we were here? No, they couldn’t, of course not, there was no way…but was there?

I think that radio station, more than anything else, kept us alive. Sure, we learned to tend our little garden, and store away our food for winter, and we mudded up the cracks in the rooms to keep the wind out and all the things you need to do to stay alive in the middle of the New Mexico desert.

But we needed something else. A connection. A tether. A reminder that we are human, and out there somewhere, beyond where we could see, were more humans.

I think it kept Mama and Pappy from killing each other. They stopped drifting away. Started drifting together. Cuddled together as they listened each night. Even started looking at me with some fondness. Like maybe I wasn’t a mistake. Like maybe none of it was.

~

I know what you want to ask, it’s the same thing everyone asks. The answer is no. Most people don’t seem to know this, but their little test was done two hundred miles away, south, far away from us and their facilities. Maybe something of it came by our little camp, but it was deep in the morning and we slept through it. We did not discover what was going on until the rest of the world did.

I said we never changed the station but that was a lie. Pappy wanted news on the war, and he checked the local station every week. That’s when we heard about the bomb, like everyone else. Of course we didn’t put two and two together. How could we?

We moved out of that shack shortly after the war ended. Did one thing have to do with another? Like I said, I’ll never know. My parents were good at not talking about things. Too good. Once we moved out of that shack and back to Albuquerque it was like those years out there in the wilderness had never even happened. It was only later, much later, after both of them had died, that I ever figured out where that radio was coming from. Who that radio was supposed to be for.

Sinners, I suppose. Some of the worst the world has ever seen. I suppose, then, we fit. Whatever my folks did to get us out there. The stuff I’ve done since. Just sinners, enjoying the radio together.


I was inspired to write this when reading The Making of the Atomic Bomb by Richard Rhodes, and came across this little tidbit on page 569:

“A low-power radio station began broadcasting to [Los Alamos] residents on Christmas Eve, 1943, drawing on several fine collections of classical records, including [J. Robert] Oppenheimer’s; the few New Mexicans beyond the Hill who could receive the station’s signals were puzzled that announcers never introduced live performers by their last names. The “Otto” who occasionally played classical piano selections was Otto Frisch [Austrian-born nuclear physicist].”


Eileen

Jackie didn’t like it.

He was new in town. Had been trying to get in with the good teams for months. Only been even a little successful for a couple of weeks. So he wasn’t going to say anything and ruin what little progress he’d made. But still.

Jackie didn’t like it.

He was sitting in the diner booth with Teddy, Alphonse, and Ro. The back of the restaurant, that was good. No one else around, that was also good. The jukebox in the corner was going, a little too loud. Very good. They could talk in soft, comfortable tones without being overheard. It wasn’t a large place, but it was old. The walls were sturdy wood, none of that cheap crap that bounces every single sound anyone makes into the ears of everyone else. Low ceilings. Bright lights. Bright colors, too. The pink and blue pattern of the booths were loud enough to cover up their conversation on their own.

No one could hear their plans. Except the waitress.

Waitress and owner, the others kept reminding him. Eileen. A woman probably past retirement age, with completely white hair, a round belly, and calves that slid into the foot without a hint of ankle. Jackie never understood how someone on her feet all day like a waitress-

-and owner.

They’d said it enough he was correcting himself. Whatever. It didn’t matter what she did. Jackie just wanted her gone.

“It’s going to be tomorrow,” Teddy was saying shortly after they sat down. “The guy they got working security on Thursdays, his name is Gino, and he, according to some of his former coworkers, fucking sucks.”

“Slip on by?” Alphonse said.

Teddy nodded. “And if he sees us, a bribe. Not even a particularly good one. That’s the easy part. Next-”

“How you boys doing?”

Jackie had practically jumped out of his seat. She’d snuck up on him, sliding up the tile on whisper-soft shoes. The others were not surprised. Nor were they as annoyed as Jackie. They were all smiles.

“Eileen, my love, my light,” Alphonse said, taking her hand and kissing the back of it. “How is it you get younger every day?”

“Oh, Alphie, stop, you’re making me blush,” she said, putting a hand to her cheek.

“How’s the grandbabies, Eileen?” Ro asked.

“Little shits, always. One of them got a week of detention for pushing a kid off a slide. And his mom is calling me like, oh, you have to talk to him, he doesn’t listen to me. And I said, I couldn’t even raise you right if you don’t know how to discipline a nine year old, you think I can help?”

The table laughed with her. Jackie gave a pittance of a chuckle, to not seem rude, but inside he was fuming.

Is this business or Sunday brunch?

“Don’t think I’ve seen you around?” Eileen said, giving Jackie a look.

“He’s from a couple states over,” Teddy said. “Jackie, Eileen. Eileen, Jackie.”

She shook his hand with a firm grip. “Friends of them, friends of mine, etc. You working on something?”

The shock Jackie felt at the question was only surpassed as Teddy actually began to answer.

“A couple of days from now,” Teddy said, barely heard over the sound of Jackie’s heart trying to lub and dub at the same time.

“Good, then. Maybe Alphie will be able to pay up his tab,” Eileen said with a sly wink.

They all laughed again, like it was some sort of TV variety hour, and then Eileen wandered away without taking any orders.

“Dude, what the hell?” Jackie hissed at Teddy, keeping an eye on the woman as she walked away.

Teddy shrugged, confused. “What?”

“You just telling everybody about the crimes were planning to commit? Did you tell the bank teller, too?”

“Oh, relax,” Alphonse said, leaning back in his chair and chewing on a toothpick. “That’s’ not everybody. That’s Eileen.”

“Yeah? And?”

“And Eileen don’t talk,” Ro said. Her jaw was set, a fire behind her eyes. She was taking Jackie’s distrust personally.

“What, she your grandma or something?”

“Sort of. She treats everyone like her kids.” Ro leaned forward on the table, her eyes burning into his. “And she. Don’t. Talk.”

Maybe I should have picked another city.

But Jackie didn’t pick another city. He picked this city. And his current funds did not support picking up again to another. He needed jobs first. He had a job sitting in front of him. It would get him a good amount of silver in his pocket. As long as a tottering old waitress (and owner) didn’t blow the whole thing.

Jackie kept his mouth shut. Let the others do the talking. Even when that talking was directly in front of Eileen as she refilled coffees and dished out unasked for pieces of pie.

The pie was good.

Jackie still didn’t like it.


Jackie was only there because he got turned around.

The shithole apartment he was living in was two blocks east and three blocks north. East. East. Something he only remembered after he’d gone four blocks west looking for Oakwood Street. New city didn’t make any fucking sense.

He had to cross back past Eileen’s diner. From across the street he watched as the last little light in the front went out and Eileen came through the door. She spent a few seconds locking up, and then turned to go home.

She was met by two of the most undercover-looking assholes Jackie had ever seen. He could spot the shoes a mile off.

I fucking knew it.

He pressed himself against the wall of the bakery, in a spot of darkness between the street lamps. The city was quiet this late at night, and the words carried to him on the still air.

“Ah, if it isn’t my two favorite detectives,” Eileen said with a bright smile. “Did you want a piece of pie? We just closed but I can have some sent to the precinct tomorrow?”

“Cut the crap, Eileen,” said one of them. “You know why we’re here.”

The other one was holding up pictures. Taken of the diner, maybe? Mugshots?

“You know who these people are,” said the one holding the pictures.

“No, I don’t,” Eileen said.

And she said it with so much chutzpah that Jackie completely believed her.

The detectives weren’t buying it.

“We know you do, because of this,” said the one holding the pictures, switching to a different set.

First set mugshots, second set surveillance, Jackie thought to himself. They’re taking pictures of us coming and going. She’s going to crumble.

“Never seen them.”

The first detective sighed. “Eileen, you are in these pictures.”

Eileen shrugged. “I have a lot of customers. I don’t remember every face.”

“We have many pictures of them here. They’re regulars.”

“I guess I’m not that good at customer service. Everyone looks the same to me. The two of you look the same to me, although one of you smells worse. Can’t figure out which it is, though. Now, if you’ll excuse me, it’s late.”

She tried to walk past them when the first one grabbed her arm and started to cuff her.

“We’re taking you in for obstruction,” he said.

Eileen simply sighed and let him cuff her without movement. “This again.”

“We can stop. I’ll uncuff you, you can go home to your warm bed.”

Eileen turned as much as she could to stare directly into his face.

“No English.”

Jackie watched the three of them walk off, his mouth hanging open like a regular fly catcher.


The sun was barely up when Eileen came toddling down the precinct stairs, rubbing her wrists. She didn’t look up from the ground until she hit the sidewalk, and then her eyes widened.

“Jackie, right? You posted my bail?” she asked.

“Yes, ma’am,” he said. “I saw-”

“Not here, dear. Let’s walk. My partner should have opened the diner for the morning by now.”

Eileen wouldn’t let him speak until they were a couple of blocks away.

“I saw what they did last night.”

“Oh, pish,” she said, waving a hand. “That’s not new. Seems like I’m in holding for obstruction at least once a month. I’ve become friends with the overnight crew. I need to go back later today, actually, Alvarez’s wife had their baby early and I made him the cutest blanket, do you want to see a picture?”

Jackie was surprised to discover that actually, yes, he did want to see the picture.

“Anyway, don’t worry about me, hon,” she said, patting his arm. “Although I do appreciate the concern.”

“You didn’t talk,” Jackie said. “The others, they told me, but I didn’t believe them.”

Eileen shrugged. She was holding onto his arm now, slowing them down, but Jackie let her. He knew from experience a night in a holding cell did nothing for the legs and back.

“Snitches get stitches, and the only stitches I care for are in my knitting.” She laughed airily at her own joke.

“I have to know…why? Did you…have someone in the life? Someone who got turned in?”

“Ha! No. My husband helped me with the diner until he passed and my children…one’s a CPA and the other one is a stay at home mom.”

“The one with the kid in detention?”

“Uh huh.”

Jackie shook his head. “Full time mom and still the kid’s a prick. Oh, uh, sorry.”

Eileen patted his arm. “No, don’t be sorry. I love him, but he is a prick. Hopefully he’ll grow out of it.”

They walked the rest of the way to the diner in comfortable silence, although Jackie was still desperate to find out what had happened in her life that would lead her to the staunch defense of criminals.

“Come in, I’ll put on some coffee. On the house, of course.”

He sat at the counter as she put on a fresh pot. Her partner, a middle aged man with a bald head, waved at her through the window to the kitchen.

“Put some eggs and bacon on for my friend, Mikey,” she said. “You eat bacon, right?”

“With gusto,” Jackie said.

She poured his coffee and sighed.

“I got no reason to do it,” she said. “No tragic history, no dead kid, nothing like that. I just don’t like cops. Honestly, fuck ‘em.”

“Well,” Jackie said, holding up his coffee cup. “Cheers to that.”

Jackie still didn’t know much about Eileen, the owner of a crime-filled diner. But any broad that could stare at a cop inches away and tell them in so many words to go fuck themselves was surely a friend indeed.


Prestige TV is Killing Me

I’m old enough that I can actually remember the change in television beginning in the early 2000s, and what television was like before it. Mainly: it was…

Okay, I guess bad isn’t exactly the correct word, because there was some good shit going on. But even the good shit was wrapped up in the way television functioned, which itself was basically bad. I wrote an entire article over here going over the way television worked in the nineties (completely from a ‘casual viewer’ perspective and not as someone who actually worked in the industry, I may be old enough to remember TV changing but I was still a literal child for the entire decade) but one thing I didn’t really mention was

Television Was For the Pure of Heart

There were exceptions, but for the most part of television history your main character had to generally be a decent human being. Maybe they were a little gruff or rough around the edges, maybe the occasionally did something morally wrong. But those occasions were almost always for the shock value, or so the character could learn a lesson and be a better human being after. Any character who was Not a Very Nice Person, Actually, was either the recurring villain, an antagonist, or a side character played for laughs. While movies managed to shake free of the Hayes Code and start showing morally dubious characters they did so with ratings restrictions that kept little pitchers out of the theater. Television is broadcast directly into the home and, as has been made so abundantly clear to us by various weird mom groups over the past five decades, there is literally no way for parents to control what their kids watch on TV. Absolutely none. Every time they try to change the channel in front of their kids the TV zaps them with an electric shock that sends their ass into the wall before switching directly to porn.

People love to describe Seinfeld as ‘a show about nothing,’ and how that particular notion was what set it apart from other sitcoms at the time, but, like, what does that even mean? Plenty of shows back then hung on a flimsy premise. Was ‘these people are friends in New York’ really more nothing than ‘these people work together’ or ‘these people live together’ or ‘these people are friends in New York?’

No, the real special sauce of Seinfeld was that it was a show about four people who were, objectively, terrible. Just the worst sort of assholes you never want to run into outside of work. Further, the show wasn’t pretending that they weren’t assholes. That, I think, was the real thing that set the show apart. If I met any of the characters from Friends in real life I would probably cut them off and block them for being chronically toxic within the year (except Phoebe, who honestly doesn’t deserve any of the others’ bullshit) but the show tries to frame them as people you would actually want to hang out with. Meanwhile, everyone on Seinfeld is an asshole, and what’s more, everyone else in New York treat them like they’re assholes.

Seinfeld walked so It’s Always Sunny in Philadelphia could run.

In the 90’s Seinfeld was an anomaly. Main characters were supposed to be morally good people who sometimes faltered to teach viewers lessons. This lasted until around the late nineties when someone at HBO went, “Hey, what if we started writing characters that were the worst people you’ve ever heard of in your entire life and made people stare at their bullshit for an hour a week?” And the rest is history.

Now We’re Left With the Assholes

Okay, not every single main character on television prior to 1999 was a Kansas farmboy with a heart of gold and a desire to help little old ladies across the street and get kittens out of trees. There were a lot of bastards. But Jesus Christ in a zip up hoodie, compared to some of the characters we get these day every single character on television prior to The Sopranos was a Little Rascal.

I’m writing this because my husband and I are in season three of Succession and honestly I don’t know if I can take an entire other season. These people are all irredeemable. They just scream at each other, or say vile things, or literally push each other down and laugh about it. Don’t get me wrong, it’s a very good show and the writing and acting are phenomenal. Don’t we have enough of these people in the real world? Aren’t we constantly subjected to all of their bullshit whims and opinions all the time because they think we care? Doesn’t a show like Succession only bolster their stupid opinion that the rest of us care about them? Every single episode the only thing I’m rooting for is a meteorite to kill them all.

We’re also watching The Sopranos. Maybe that’s where my frustration is coming from. Maybe you can’t watch more than one of these ‘Look at These Pricks’ shows without your spleen bursting. But then you’re basically not watching television at all because apparently the Golden Age of television is all about assholes. Before Succession we were watching White Lotus. Everyone loved Mad Men back in the day and Don Draper was a human centipede of loose morals and psychopathy. I never watched that You show but it’s about a literal serial killer. I also never watched Game of Thrones but I’m pretty sure you could set any of those characters on fire without an ounce of remorse.

I Just Want Prestige TV Where I Actually Like Someone, Please

Someone. Anyone. One person. One single person. And I swear to fucking God if someone suggests Ted Lasso I will pull the plug on the entire internet because the only thing I want to watch less than the Roy siblings use each other for disgusting rituals is Dad Jokes Ahoy.