I Enjoy Pain, So I Rewatched Lost

Lost came out when I was a senior in high school and it was my first media obsession. Like, I loved Buffy and Angel and I think I was heavily into that Smallville show on the WB, but then Lost came along and it ate holes into my brain. Does anyone besides me remember that they tried to do several ARG-type websites for both Oceanic Airlines and, I think, the Hanso Foundation? Oh, wow, in typing that out I remembered that they would actually air commercials for the entirely fictional Hanso Foundation during commercial breaks.

For over a decade I could not have a rational conversation about this show without devolving into a half-formed tirade that had more spittle than syllables. Or, if I was in polite society, I would smush all of my emotions down into a little ball and shove that ball into my spleen. You know when you’re hyperfixating on something and someone else mentions it in a casual way and you realize you have to Be Normal or they’re going to have proof you’re actually insane and suddenly you don’t know what to do with your eyebrows? It was that.

But now it’s been almost twenty years since the pilot aired and I have enough distance that I don’t have to pretend to be normal about it, I can do it for real! So I’ve been rewatching the show on Hulu, and I have Some Thoughts.

I actually started writing this before it was announced that Lost would be on Netflix soon, so if you’re thinking of watching it there here’s some:

Spoiler-Free Thoughts

The First Season is Fully Gorgeous

At the time, the two-part Pilot episode was the most expensive pilot ABC had ever aired, costing anywhere between $10-14 million. That might be a little hard to contextualize nowadays, when Amazon is spending millions in advertising just to tell you that it spent a literal billion dollars to make their terrible Lord of the Rings show, but prior to the golden age of television spending gobs of money on a television show simply was not done. Famously, the head of ABC who approved the pilot, Lloyd Braun, quickly got shitcanned by Disney largely for, in their eyes, potentially setting fourteen million dollars on fire.

But the show was a hit and I don’t know if they had already bought the cameras or if ABC forgot to turn off the money hose but the cinematography in the first season is buttery smooth. The entire show is pretty, I mean, it was filmed in Hawai’i so of course it is, but the first season is, to my eye, noticeably prettier. Every single shot looks like it could be pulled from the show and mounted in a doctor’s office waiting room.

Season Two Drags a Little But They Get Their Shit Together for Season Three

It’s Science-Fiction but It Doesn’t Want to Admit It

The show spends a long time pretending there’s a rational reason for everything, and even when it starts getting into the thick of what the fuck is going on, I don’t know, I always got the sense that the creators were ashamed of it? It felt like they wanted the show to be this elevated piece of art and also had it in their heads that science fiction was incapable of being that.

There’s So Much Christianity

I had forgotten how blatant and often Christian themes come up in this show. Several of the characters are Christian, there’s a character named Christian Shepherd, they fucking baptize a baby…it not a lot, but it is more than you’d maybe expect.

There Are Sea Turtles

They filmed the show in Hawai’i and you’re not allowed to touch the sea turtles there so sometimes they wandered onto the beach and they would film around them like they weren’t there. There’s at least two episodes, I believe where you can see them chilling.

Should You Watch It?

You know what, I’m going to say an emphatic ‘yes.’ Not all of it is good, but the parts that are bad are at least bad in a fun, interesting way.

Spoiler Thoughts

Kweh

They Obviously Had No Idea Where Any of This Was Going

To be fair, if your brain hadn’t been completely diseased by the show like mine had, it was pretty obvious they were making shit up as they went in the moment. But trying to find all the stuff they set up and then forgot about in hindsight is like trying to find the sun in the desert. Off the top of my head:

  • Around episode five Jack finds the caves and is so fucking insistent everyone move in there for safety. But behind the scenes the creators hated the way the cave set came out so about five episodes later everyone moves further down the beach and the caves are just unceremoniously phased out until no one is even talking about them anymore.
  • Walt was psychic, and so The Others took him, and then he was Too Psychic To Handle so they let Michael take him off the island and that was the end of an entire season of WAAAAALT and THEY TOOK MY BOY.
  • As far as I can tell, they never actually determined why pregnant women were dying or how to fix it. Actually, in making sure I didn’t miss something, I found that they did, in fact, confirm my suspicions that the pregnancy issues had something to do with blowing up the Swan station in 1977. Where did they confirm this? In a special ‘epilogue’ that was included on the DVD boxsets.
  • They added some of the people from the tail section of the plane in the second season, but three of the four actors managed to get DUIs while filming and that’s just not the ABC way so they were all dead by early season three.
  • They added Nikki and Paolo into the third season, everyone hated them, and they were dead by the halfway mark.
  • After the survivors first hear the smoke monster in the first season, Rose says that something about the sound of it is incredibly familiar to her, and when someone asks her where she’s from she says Brooklyn. The forums I was on at the time had a lot of speculation that one of the sounds they used to create the smoke monster was a taxi cab receipt printer, a phrase no one born in this century has ever heard. I think in the beginning they were toying with the idea of the smoke monster being some sort of machine, with Roussou even referring to it as a ‘security system.’ But then the answer turns out to be way more ‘magic’ than ‘sci-fi’ so who the fuck knows.
  • In season three, Juliet mentions that Ben has been nice to her, to which another member of The Others says ‘of course he is, you look just like her.’ This being Lost, she does not offer any sort of follow up, and neither does the show. Apparently in an interview Damon Lindelof confirmed she meant Ben’s childhood friend Annie, but I don’t count interview answers as canon. And then season five features a bunch of characters, including Juliet, going back to the seventies and interacting with tween-age Benjamin, so, like, that’s the obvious answer, right? He remembers her from his childhood? Except in the show he doesn’t remember any of them for Mysterious Island Reasons. But we all know the real answer is We Didn’t Think of That Plot Point Yet.

They Really Fumbled The Others

I mean, they fumbled just about everything they were trying to do, so this isn’t a surprise. But upon rewatch I’ve noticed something I think they were trying to do with The Others that they eventually pivoted away from entirely.

For the first two seasons The Others are an unknowable group of people living on the island who do absolutely hellacious things to our airplane survivors. They infiltrate both groups of survivors, take a bunch of the Tailies with zero provocation, kidnap Claire the pregnant woman, string Charlie up and leave him for dead, kidnap Walt, and then make Michael kill Ana Lucia and Libby and bring a few of the others to them all so he can get his son back. And then, at the end of season two, when they’re finally face to face with Ben and a few of the other Others and Michael asks who they are, what does Ben have the ten pound balls to say?

“We’re the good guys.”

I will say this: for as inconsistent as the show could be about their own lore, The Others remained fart-smelling smug faces right through to the end.

At the time it was supposed to add more mystery, I guess. “If they’re the good guys, who are these people we’ve been following?” Or something. I don’t know. Put the whole show together, and it feels like The Others have just gone that sort of crazy that religious people often fall into. They were chosen by the island, or Jacob, or whatever. They were chosen, therefore they are ‘good,’ therefore anyone in their way is ‘bad,’ therefore anything The Others do is automatically a good action and anything the survivors do is automatically a bad action.

It explains how The Others can start clutching their pearls and looking for the fainting couch at the idea the survivors killed Ethan while completely ignoring he’s the one who took Claire and tried to kill Charlie and was actively in the middle of killing off other survivors to make them give Claire back after she escaped when they managed to stop him.

But they never really explore it, and I wonder if they even realize that’s essentially what these people are, because the show is very odd about forcing a ‘both sides are equally bad!’ narrative. Like, it’s one thing if the Others themselves say they’re the ‘good guys,’ but in one episode Desmond gets super condescending and says something like, it sounds like you’ve killed more of them, or something indicating he thinks the two groups are at least on equal footing, completely ignoring the fucking power imbalance. The Others know what the fuck is going on, have supplies and houses and a god damned submarine, and are basically island guerillas maybe with super powers. Meanwhile, our survivors are a bunch of desk job dumbfucks who have no idea what’s going on at any given moment and just want to go home. There can be no ‘aCtUaLlY bOtH sIdEs’ in that scenario.

The Magic Box Proves John Locke Is Actually Stupid

This is such a little thing but it amuses me so damn much I’m including it.

In season three, episode thirteen Ben tells John that they have a Magic Box.

Ben has always been a manipulative weasel to literally everybody he ever talks to but has proven to be especially adept at completely pulling Locke apart at the seams. If Ben said the island farted rainbows Locke’s only question would be where the butthole was. But now, it seems, Ben has lost the upper hand. He’s bedridden after surgery. And Locke has found new purpose and is so completely over Ben’s bullshit that when Ben first mentions the Magic Box Locke is bemused.

And this is already where the stupidity starts because Locke is acting like Ben is trying to convince him he has an actual magic box and Ben very much…isn’t. Here’s the line:

“Let me put it so you’ll understand. Picture a box…What if I told you that somewhere on this island is a very large box, and whatever you imagined, whatever you wanted to be in it, when you opened that box, there it would be.”

The words he uses and the tone he uses make me think of science shows where they’re trying to explain physics to Johnny Normal. Ben is not explaining that there’s an actual magic box, he’s just glossing over shit because he always glosses over shit. John shoots back with a sassy, “I hope that box is big enough for a new submarine,” because he plans on blowing up their submarine, which means he knows they have a fucKING SUBMARINE. The Magic Box is the submarine and Richard Alpert, human male capable of going back to reality to steal and kidnap, for fuck’s sake, John. GOD.

Anyway, a little later in the episode Ben shows Locke what came out of the ‘Magic Box:’ his con artist, POS father. And I think seeing his father sort of breaks his brain and after that moment he just totally believes there’s an actual Magic Box somewhere on the island even though Ben at one point says the box is a metaphor. A full season and a half later, when Ben brings Locke to the Orchid station, Locke asks if this is the Magic Box and Ben looks at him like he’s trying to figure out why the island loves Locke more than him.

The Best Scene is From Season 3, Episode 10 “Tricia Tanaka Is Dead”

Because it features both Josh Holloway and Dominic Monaghan fighting for their lives trying not to break.

The Finale is Not, In Fact, One of the Best TV Finales and is, In Fact, One of the Worst, and This is a Hill I Will Absolutely Die On

Now that the show is coming to Netflix I keep seeing headlines about how people need to check out this cool old show with one of the best endings on TV ever and I have to struggle to not walk directly into traffic.

Let me go over how this played out in real time.

The show starts, and it’s split between current happenings on the island and flashbacks of the characters before. From the very beginning of the show, the major speculation about what was going on was that the ‘survivors’ actually had died in the crash and the island was purgatory. Despite being usually tight-lipped on answers, the creators were vehement from the very start that the island was not purgatory.

Anyway, the third season finale “Through the Looking Glass” appears to be another Jack-centric flashback episode, until the very end where they reveal that this actually the very first flash-forward as a drunk, bearded Jack screams at Kate that they have to go back. This is Super Effective, and is still one of the most powerful moments of the show. A+

The next two seasons primarily feature the flash-forwards with a few flash-backs. The creators are still insisting that this show isn’t purgatory, you guys, seriously, knock it off. The fifth season ends with our heroes in 1977 launching a nuclear bomb at a pocket of electro-magnetic energy because they think that will butterfly effect them to never having crashed on the island in the first place. Bomb goes off, fade to white…

And the sixth season starts with everyone back on the plane, and the thing fucking lands safely in LA.

BUT THEN it cuts to everyone still on the island, suffering the aftermath of nuking mysterious island energy.

Part of the reason I ended up hating the finale of this show so God Damned Much, I think, was because I fucking loved this opening. To put things in perspective, at the same time the last season of Lost was airing, J. J. Abrams other show Fringe was airing its second season, which I feel was not only a better season on average than anything Lost ever did, but might be one of the most perfect seasons of television ever, fucking fight me.

Anyway, this second season of Fringe (minor spoilers) was concerned with two parallel universes that had been inextricably linked. So, when this episode of Lost showed all of our survivors not crashing, but also having crashed, this was immediately where my mind went to and I was beyond excited. The bomb worked, but only sort of, and as the season progressed it sort of seemed like there were people in the alternate timeline who figured it out and were trying to merge the universes back together and maybe our heroes had to stop them!

Except, no. No, no, no, and fuck you for thinking that. You think these are ‘flash-sideways’ to a different dimension? WRONG. IT’S PURGATORY. THAT’S PURGATORY. THE ISLAND ISN’T PURGATORY BUT HALF OF SEASON SIX IS. OH MAN. OH MAN WE GOT YOU SO GOOD. YOU SHOULD SEE YOUR FACE YOU LOOK SO STUPID.

Years before people were so disappointed with the finale of Game of Thrones they were turned off the whole show, I experienced the same thing with Lost. I am a disappointment hipster.

After half a decade of insisting NO PURGATORY, having half the last season be in some sort of purgatory space was such a fucking rug pull. And it was fully half the last season, flashing over to these scenes where the rules are made up and the points don’t matter because, again, everyone is already dead. Basically wasted time, as far as I’m concerned. And it sort of fucks up the timeline where everyone is alive? Like, Desmond keeps seeing flashes of what he also thinks is an alternate world and thinks if he pulls the plug out of the island then they will all get to that world. Except he’s just seeing the afterlife and then he dies. So I guess he wasn’t wrong? But man, did that suck.

There are people out there who do genuinely like the finale. These people are difficult and insane. Even after this rewatch I still don’t fucking get it. Some parts of the last season probably had merit but I just can’t get past the feeling of betrayal.

I actually have many more thoughts but my therapist (that’s what I call my ulcer) says I have to stop now. Maybe I’ll do a sequel to this article, once the flames of hell have stopped emanating from my duodenum.


Bloody Mary

It was a pity invite, but Jess would take what she could get.

Once upon a time, all the way back in elementary and middle school, she and Megan had been friends. Best friends. BFF’s, even. At least, that’s how it had felt to Jess. They lived a block away from each other. They rode the bus together, sat together at lunch, played together after school. Hours of make believe, of being brave explorers in the deepest forests, of fighting the dark forces of evil, of weddings that turned sour with devastating revelations.

And then their middle school had dumped them into West Magnolia Junior High right along with four other middle schools and they had met Robin and Jasmine and suddenly it was like Jess didn’t even exist.

She remembered the exact moment it was all over, even if she hadn’t recognized it in the moment. The third day of seventh grade, sitting at the edge of a long table in the cafeteria. They’d barely even sat down before two other girls sat next to them. Those two.

In Jess’ memory they had barely introduced themselves. Maybe that hadn’t even. Maybe that had sat down, zeroed in on Jess’ lunch box, and immediately started sneering.

“Is that a Care Bears lunchbox?” Robin had asked, her voice incredulous and impossibly high pitched. Others at the table had turned to look at her. Even kids sitting at other tables. The entire cafeteria had been staring at Jess and her Care Bears lunchbox.

Had Jess said anything? What, exactly, had there been to say?

“Oh, no, I mean…it’s cute,” Robin had said, putting a slimy emphasis on the word. Not cute the way they were, with their pierced ears and spaghetti strap shirts that were definitely against school policy. No, when Robin said cute, she meant babyish. Care Bears were for babies.

Jess had locked eyes with Megan while Robin and Jasmine had whispered and giggled to each other. Megan, whose had was inside her backpack gripping the matching Care Bears lunchbox. They had gotten them together, before first grade. They were beat up and worn but they still worked. And no one had had a problem with the Care Bears until that exact moment.

She thought Megan would pull out the lunchbox. Maybe if she had, if there had been two Care Bears lunchboxes on the table, Robin would have backed off. Maybe Care Bears weren’t cool at whatever middle school she had come from, but at Woodland Middle they were…they were the shit, as the older kids said.

Instead, Megan flushed. Looked nervously at Robin and Jasmine. And then, ever so carefully, snapped open the lunchbox still in her bag and pulled out her sandwich, bag of chips, and juice box one by one. To Robin and Jasmine’s approval.

The next day Megan already had a new lunchbox. And, in hindsight, new friends.

A year and a half later the only reason Jess and Megan even saw each other anymore was because they still took the same bus. Sometimes they sat together – usually when Jess got on second – and would sit in awkward silence. Most of the time they sat separate, Jess reading and Megan struggling to finish whatever homework she had ignored the night before. She knew from rumors that Robin and Jasmine were demanding friends. There was always some dramatic breakup that the three of them needed to be on the phone about. Some party two towns over that they had to sneak out to go to. Some sale at the mall that the three of them absolutely could not miss.

All things Jess would like to do, too, but invitations were not forthcoming. It didn’t help that when the three of them had joined the school newspaper, Jess had fallen back on the A/V club, and the two were apparently rivals for some reason forgotten to time. She had given them a reason to hate her. Not that they needed it.

Megan had not actually invited her to her birthday sleepover. Megan’s mom had gotten in touch with her mom lamenting that she hadn’t seen Jess in ages and her mom had agreed she couldn’t remember the last time she saw Megan and the two women, in a fit of amnesia to their own brutal days of tweenhood, had agreed that Jess was invited to the sleepover.

Jess knew she shouldn’t go. She knew it would only make things worse. But she wanted to see her friend.

Robin and Jasmine were surprisingly civil. Cold, but civil. Even after Megan’s parents went to bed and left them to their party in the basement they managed to keep the venom off their tongues. And with Robin and Jasmine playing nice, so was Megan. It was the most Megan had talked to her at one time in…well, in a year and a half.

When Robin suggested they play Bloody Mary, Jess didn’t think another thing about it. The four of them rushed to the bathroom, the vanity barely big enough for them to crowd around. There was no time for Jess to think the fact that she had been pushed to the front was weird.

“Okay, we all close our eyes. And then we chant Bloody Mary three times. And then we turn the lights off and we’ll see her!”

And then what? Who knew? Who cared? Such things were never asked. The girls all closed their eyes.

“Bloody Mary,” they said, the others giggling behind her.

“Bloody Mary,” they said, and now Jess could hear they were shifting around. She was, too. How was this stupid game so terrifying.

“Bloody Mary!”

Jess opened her eyes just fast enough to see she was alone. A hand reached in, flipped the light switch, and then the door slammed shut behind her.

They were all on the other side of the door, giggling and slamming their hands on the door over and over and over. Jess barely heard any of it over her screams to be let out and her own hands slamming on the door and jerking the doorknob.

“Let me out!”

“Come on, Jess, you’re not afraid, are you?” Robin said.

“Tell us what she looks like!” That one was Jasmine.

And then, as loud as the others, she heard the voice of Megan.

“Only babies are actually afraid of Bloody Mary!”

And they were giggling again, slamming the door, ignoring her screams. Shouldn’t her parents have heard by now? Where were her parents?

A light from behind her.

The shock had already started to wear off. Even the fear, if only a little. That massive dump of adrenaline had started to wane, letting her think again. Feel again. Slowly taking down that frozen feeling in her spine.

The light started the fear anew.

It was a basement bathroom. No windows. She didn’t remember seeing a nightlight. Just the light from above. And the light was not coming from above her. It was coming from behind her.

It was coming from the mirror.

“Guys,” she whispered, too low to even be heard over their relentless pounding.

“Guys, there’s something in here,” she said, a little louder.

The pounding continued but lost intensity. Someone had stopped.

“Jess?”

Megan.

“There’s…I think…there’s something…”

“Hey, stop it, we should let her out.”

The pounding did not stop. It got worse.

The light was getting brighter. A sickly orange. Pulsing. Jess didn’t want to look.

But she had to.

The mirror was no longer a mirror. She was not contained within it. Another girl, barely older than herself, with dirty clothes and frizzled hair and eyes completely scratched out of her face, blood dripping down her face like tears.

The scream died in Jess’ throat. The fear she had felt was gone, totally. It had been replaced with an odd feeling of sadness and comfort, like a blanket with a musty smell had been draped over her shoulders.

Bloody Mary didn’t have eyes, but somehow Jess knew. She wasn’t looking at Jess. She was looking beyond Jess. At the other three.

Something else filled her mind. A question. An offer.

And Jess, remembering every little slight, every time she’d been ignored, made fun of, talked about behind her back, every single time they’d gone out of their way to bully her, made a decision.

When the other girls finally opened the door, nearly ten minutes later, Jess wasn’t scared anymore.

“Jess, are you okay?” Megan asked, her arms crossed tightly at her chest.

“Of course she’s not,” Robin said with a smirk. “The baby got scared of the dark!”

Jasmine had worn a similar face, but it had dripped off when she saw Jess. There was something about her she noticed, that the other two didn’t.

“Jess? What happened in there?”

Jess passed all three of them, going to her sleeping bag and beginning to roll it up.

“I saw her,” she said.

“Oh, puh-lease,” Robin said. “Don’t go making shit up because you’re butthurt. It was a prank. It’s not our fault you got too scared. Did you wet yourself in there?”

Robin’s stupid face turned to small confusion when she realized the other two were not laughing.

“You…saw her?” Megan asked.

“Uh huh,” Jess said. Finishing with rolling her sleeping back she’d shoved it into her duffel along with the rest of her things. When she was finished, she tossed the duffel over her back.

“What are you doing?” Megan asked.

“Going home.”

“Oh, you can’t do that! My folks will freak if they find out!”

“I’m a block away and I’m not having a good time. I’m leaving.”

“Wait!”

“Oh, let the widdle baby go.”

“What did she look like?”

Jess stopped at the foot of the stairs at Jasmine’s question. She didn’t turn around. When she spoke, her voice barely sounded like her own, a dark, husky thing that shook the other girls to their soft middles.

“Don’t worry. You’ll see for yourself soon enough.”

The girls all stared at each other as Jess continued up the stairs.

She was barely out the front door when the screaming started.


The Language of Flowers

“Oh! Oh, Annette, come quick! Come quick, dear, you have received flowers!”

Annette tried to reach the front hall at a lady-like pace but was only barely out of her room when she started sprinting down the hall like an untamed pony.

“Who are they from?” she called down to her sister as she skipped down the stairs as fast as she dared in her slippers. Lord Cavanaugh had been giving her quite telling looks at the last affair. But Sir Rufflesbee had invited her riding no less than three times in the past summer and Annette was sure there might be something there. If only the poor young man could pick up the nerve to look her in the eyes!

“It doesn’t say,” her sister said. “Oh, a secret admirer! How romantic!”

The flowers currently sitting on the front door table were enormous, and freshly cut! An entire floral landscape wafted toward her as she approached the violently colorful collection of blooms.

“Such a wonderful selection!” Annette said, touching a blossom here and there. “Whoever put this together has an eye for color, indeed!”

She felt that these must have been from Sir Rufflesbee. Lord Cavanaugh did not seem to have a single artistic cell in his body. Unless he asked his dear sister to put them together, which would have made Annette quite offended and forced her toward Sir Rufflesbee all the faster.

“It’s quite the…unique bouquet, isn’t it?” Alexandra said slowly, her eyes roaming the bundle of flowers. “I am quite certain there are flowers in here I have never seen given before. Is that…”

Before she could stop her, Alexandra reached out and plucked one of the small greens around the lower edge of the bouquet and sniffed it. A look of alarm crossed her face.

“My dear sister…this is basil.”

“What? No, surely not.”

But a single sniff of the leaf could leave no doubt in Annette’s mind. It was basil. And in the language of flowers, basil had only one meaning.

Hate.

“I don’t understand,” Annette said. “Perhaps it means, I hate being away from you.?”

“Sister…have a closer look at these flowers.”

It was all there. How could she not have noticed before? The columbine calling her a fool. The hydrangea and lavender calling her heartless and unworthy of trust. And sitting right next to each other, in the direct middle of this collection of hateful hues, were two flowers sending such a loud message it was unbelievable Annette hadn’t heard it before she reached the front hall.

Camellia. Long for you.

Hemlock. Death.

Longing for you to die.

“Why, this is not love knot from a secret admirer at all!” Annette stated. “This is a hateful message sent by a coward!”

Alexandra put her hands on her hips and sniffed the air. “Well, coward or no, I think we both know who sent this.”

“Moira Wendell,” they both said aloud.

“She’s been a jealous cow her entire life,” said Alexandra.

“Do ladies use such words?” their mother called from the sitting room.

“They do when they’re talking about Moira Wendell, mother,” Annette called back.

“Oh. Yes. Quite.”

“Well, I supposed there is nothing left to do,” Annette said. “Alexandra, fetch father’s pistols whilst I go don my dueling gear.”

“I shall, too! You’ll need a second.”

“Mother!” Annette called into the sitting room as she passed. “Alexandra and I are going to duel that miserable, jealous tart Moira Wendell. As she is such a coward I doubt this will take long. We shall endeavor to be home for supper.”

“Good luck, girls!”

Annette stalked into her room, no longer worrying about being lady-like, and pulled open the wardrobe.

If Moira Wendell thought she could simply send a bouquet of hateful messages and not answer to consequences, she surely had another thing coming. The soddening sow.


Art is for Everybody

Tim and Moth had been staring at the painting, white wine in hand and squint on face, for roughly forty-five seconds, before Tim burped out of the corner of his mouth and declared his thoughts and feeling on the swirling blue and yellow.

“I could fucking do this.”

Above their heads a happy tune started playing out of speakers neither of them had noticed before. Slots opened up in the ceiling, and the two men were showered with confetti.

“What the hell?” Moth muttered, drinking his wine and a fair amount of the confetti that had already fallen into it.

“Ladies and gentlemen!” A voice said over the loudspeakers. “Please make your way to the Modern Art Exhibit, where another patron has volunteered for our Art is for Everybody Program!”

“What did she say?” Tim asked. He started glancing around the room, looking for this person who had actually volunteered to make an ass out of themselves in front of strangers. Finally, he found the owner of the voice, a heavy black woman in a well-fitted museum uniform, wearing a shit-eating grin.

She was coming right for him.

“Oh, shit,” Tim said. “We got to go.”

But Moth was nowhere to be seen.

“Don’t go anywhere, sir!”

The museum employee had caught up with him, and had put a polite but firm hand on his elbow. Not that it mattered. A crowd was forming around them already, politely bemused. There was no escape.

“My name is Shalissa, I’m with the Museum’s Community Outreach Program! And what’s your name, sir?”

“Uh…….Tim.”

“Tim! Wonderful! Nice to meet you! Now, come on over here with me, Tim.”

She pulled him along like an aggressive game show host with a less-than-TV-ready contestant. Tim shuffled along behind her, trying to spot the exit.

What the hell is happening? Oh, sweet mother Mary, no.

She was dragging him toward a stage.

It was a small stage, sure, but it was still a fucking stage. It was in the corner of the large Modern Art room, how could he have missed it? Maybe his eyes had glazed over it, thinking it was its own terrible piece.

The stage was not empty. There was a canvas, hanging the wall, the same size as the canvas he had just been standing in front of. A little table stood on the stage, covered in a selection of paints.

Oh, no.

Shalissa brought Tim up on the stage. The crowd had followed them. It was a Saturday afternoon, why had they come on a Saturday afternoon? They knew it would be crowded, and it had been, and now the entire crowded museum had packed into the Modern Art room to watch Tim.

He spotted Moth in the middle, grinning from ear to ear. He raised his glass to Tim and then drank, slurping down a bunch of confetti that had still been in the glass.

Fucking Moth.

“Everybody, this is Tim. Say, Hi Tim!”

Shalissa held the microphone out to the crowd, who all dutifully chanted back hi Tim!

“Now, as you may or may not know, the museum implemented a new program last year called the Why Don’t You Try Program? There’s a big sign out in the lobby, but I don’t know, people just seem to miss it!”

She chuckled along with the crowd.

“How it works is, anyone in our Modern Art exhibit who wants to have a chance to make their own, gets that chance!”

“Oh, uh, no,” Tim said, finally understanding. “I don’t…I didn’t…”

“But you did, hon!” Shalissa said. “And we want all of our community to get into the spirit of art, so in that spirit…”

She stepped back and gestured at the paints and canvas.

“Have at it! You’ve got everything you need here, canvas and paints, and we can get you more if you need them. The museum closes in three hours, so that’s how long you have to make the modern art masterpiece of your dreams! I feel like this program is so important, because not only will our patrons get to try out painting, others will get to watch the magic happen!”

The two of them stood in silence as the audience clapped. And then in silence as the audience watched the two of them stare each other down. Shalissa’s words had been genuine, but there had been a definite…tone…to them, that told Tim everything he needed to know.

You think you can do it, wise guy? Well, fucking be my guest.

Tim put down his wine glass on the little table and straightened out his waistcoat.

“Okay, you know what? I’ll play your little game. Give me that brush.”

“That’s the spirit! Let’s give Tim some encouragement!”

The audience clapped once more, and someone (probably Moth) whistled and hooted.

You want to embarrass me just because I think modern art is stupid? Well, I’ll show you.

The only artistic expression Tim had ever done in his life prior to this moment was doodles in his notebook. He hadn’t even wanted to come here, he had only agreed to go with Moth because in return he agreed to go to the Chunkin Pucks concert next weekend. But now, he was going to reach deep and making something fucking phenomenal, something so emotional everyone in the audience would shit their pants and weep at the same time, and he was going to prove to this fart-smelling, wine-drinking, holier-than-thou bungholes that anyone could do this modern art shit.

Tim entered into a frenzied state. He couldn’t tell the passage of time. He was unaware of what was going on behind him. He asked for more paints three times but would never remember doing so. There was a cacophony of colors in his head, and he was going to put them all on canvas.

“All right, the museum closes in fifteen minutes, come on down to the Modern Art exhibition to see what Tim has made for us!”

He stepped back from what he had made. It was not that different than the painting he had been standing in front of when he’d made his ill-fated comment. An unholy smattering of colors, clashing, contrasting, complementing. It all depended on where you looked.

But there was something different about this one. Something that…well, it was speaking to Tim. It was telling him things. Crazy things. Wonderful things. Stories of his childhood he had completely forgotten, hopes and dreams he’d left behind in the alleys of broken chances.

He heard the crowd gathering behind him and froze. It all seemed too much. He had created a window to his soul and now people were peering in.

“Wow, look at this folks! Isn’t this great? I think it deserves some applause, come on.”

Shalissa came back on stage and gently turned Tim to face the crowd as they applauded politely. It was just a gesture. A societal thing, to keep Tim’s embarrassment from becoming their own. He was sure, once he raised his eyes, they would be holding back laughter, tittering behind hands.

But they weren’t. Well, maybe a few in the back. But the others up front, close to the stage, were actually examining the painting. Pointing at spots. Making comments to one another, nodding to those comments.

They were appreciating his art.

“Anything you want to say about your painting, Tim?” Shalissa asked, before pointing the microphone at him.

“I…uh…well, I guess I see these colors a lot. In my head, you know? I never really noticed them before, but then once I saw the paints…”

He trailed off, unsure how to go on. Shalissa took over effortlessly.

“That’s great! And what do you call it?”

“‘Return.’”

He hadn’t even know he was going to say anything. The word had fallen out of his mouth.

“There you have it, museum patrons. You are the first to witness our newest exhibit, ‘Return’ by Tim!”

The crowd applauded again. Some dispersed. Some hung around, taking pictures of the painting and Tim, still talking about it.

“You’re…you’re going to hang it up?”

“Unless you want to take it home yourself.”

“No, no, I don’t have the room. Keep it.”

Shalissa smiled at him, this time without the undertones. “Anyone can do art, Tim. Only some people actually take the time to do it. And now you’re one of them! Congratulations.”

Shalissa walked off back to whatever post she usually worked at, leaving Tim to stare at the painting, his painting, on the wall.

“Pfft, I could do that,” said a voice behind him.

Tim smiled to himself, before picking up a paint brush and turning.


Hansel and Gretel’s Father

Once upon a time a family lived in a cottage at the edge of the forest. There was the father and his children, a boy named Hansel and a girl named Gretel, and they lived with the father’s wife. The father’s wife was not the children’s mother, who had died from illness years before. The father had thought children should have a mother and married again.

But this was not the sort of woman who should have been a mother, or even wanted to be a mother. She was cold with the children, sometimes cruel. But the father believed eventually she would come to love them as her own.

One year, a famine spread over the whole of the land. The springs rains were too thin, the summer sun too hot, and a blight spread over what managed to grow, leaving crops good for pigs and no one else. The family, like everyone else, slowly began to starve.

After weeks of rationing what food they had, the father’s wife took the father aside while the children were sleeping and told him her solution.

“You must send the children into the woods. They will learn to fend for themselves.”

And the father said, “Excuse me?”

“Take the children into the woods and leave them there.”

And the father said, “Yeah, I thought that’s what you said. What the fuck is the matter with you?”

The second wife took a step back, shocked at the father’s language. “Don’t you dare talk to me like that!” she practically shrieked.

“If you’re actually suggesting I abandon my children in the woods I think I fucking will!”

The father’s wife tried to salvage the situation, gently putting her hands on his arm.

“The four of us will not make it through the harsh winter. At least out there they have a chance-”

“A chance to what? Die of exposure? Get eaten by a bear? Snatched by a witch?”

The father’s wife furrowed her brow, trying to keep control. “You have raised very clever children, I am sure they will be able to take care of themselves.”

Father stared at the woman whom he had loved until roughly thirty seconds ago in a disbelief that seemed to be aging him a year for every second.

“Jesus Christ, Denise, they’re children. They’re seven and nine! They’re smart for their age, sure, but they don’t know shit about surviving on their own in the woods! Why the fuck would they?”

The father’s wife put her hands to her ears and turned away, crying. “Stop cursing at me!”

Before, when they had fought, this had been enough to make the father stop fighting. It was how the father’s second wife had gotten her way over and over again. And just like all those times before, the father gently put an arm around her shoulder.

“Hey, it’s okay. It’s alright. I’m not mad, okay? Let’s come over here.”

While the father’s wife sniffled into her hands, she hid a sly smile. She believed she could always get whatever she wanted from her simple, giving husband. Now, not only would they have more food to get them through the famine, she would finally be rid of those awful ankle biting oxygen thieves.

“Out you go!”

“What?”

The father had not taken them to the bedroom, as the wife thought he would, but instead to the front door. With a not-gently shove he had pushed her out onto the dirt. The door slammed behind her, and she heard the lock latch.

“Wait! What are you doing? You can’t leave me out here!”

“Sure can.”

“I’m your wife!

“Not anymore! No wife of mine would look me in my face and tell me we should abandon my children.”

The wife hemmed and hawed, unwilling to believe she was losing everything. “It…I…it was a joke    ! A joke for heaven’s sake!”

“Then you have a shit sense of humor. Go away.”

“Let me back in! This is my house!”

A booming laugh that shook the door. “This is my house, that I invited you into! And then you repay me by expecting me to kick out my children! Holy shit, Kevin down at the bar was right, you are fucked in the head.”

“Well, what am I supposed to do?”

The wife was sobbing now, truly sobbing, no more crocodile tears. She still stood in front of the door, unable to believe that her simpering husband and finally grown a spine. Surely, he would see her plight and let her back in. Fine, the children would still be there, she thought, but she could live with them. She could. It was actually easier than she had thought.

“Why don’t you go off into the woods and live off the land? I hear it’s so easy a child could do it.”

And so, after many hours of standing in front of her ex-husband’s door and wailing as though possessed by a banshee, the second wife finally realized she would not be allowed back inside. Alone and afraid, she wandered into the woods, where she was almost immediately taken in by a witch and roasted alive.

The end.


Is The Holdovers Cozy?

In an interview with David Canfield for Vanity Fair, director Alexander Payne indicated he had some icky feelings in regards to people calling his 2023 movie The Holdovers ‘cozy.’

“I’ve got to tell you, I’m always a little surprised to hear this, “Oh, it’s like a cozy movie, or a warm hug, or putting on a sweater on a cold day and drinking hot cocoa.” Part of that nauseates me a little bit. I thought I was just making a decent movie about people.”

The two discuss the term ‘cozy’ and whether the movie is or isn’t that, and I think thanks to Canfield Payne walks away with a slightly better understanding of the word, but I still think he thinks it might be an insult or at least not what he was shooting for with his movie which is insane because yes, The Holdovers, is in fact a ‘cozy’ movie, and the fact that it’s a Christmas movie has barely anything to do with it.

I basically know nothing about Alexander Payne, but he’s a sixty-three year old who’s been directing and writing movies since the early 1990s, so I’m going to go ahead and assume that he does not have time for video games and is probably not aware, or at least minimally so, that ‘cozy’ has become its own genre. When people call this movie ‘cozy,’ they’re not thinking of sweaters and hot cocoa. They’re thinking of the genre.

So let’s go over the main features of what makes a cozy video game cozy, and how that applies to The Holdovers. I won’t be going into details of this movie so consider this spoiler-free, but also if you haven’t seen it yet go see The Holdovers because it is so, so good.

Unhurried

Yes, ‘unhurried’ and not ‘slow.’ It’s not that there’s nothing to do in a cozy game, you always have tasks because otherwise it’s not, you know, a game. But there’s generally no time limit. No NPC rushing you. I haven’t actually played Animal Crossing but I’m pretty sure Tom Nook doesn’t evict you if you don’t pay your mortgage back fast enough.

My personal, perennial cozy game has been Breath of the Wild, and yeah, “Defeat Ganon” shows up as a task within the first half an hour, but then it just sort of sits there. Calamity Ganon keeps circling around the castle. I can go fight him now. I can go fight him in three hundred hours after I’ve maxed out how many apples and mushrooms I can carry. It doesn’t matter. Zelda has held his ass back for a hundred years, she can do it for a few more months.

Cozy games give the player space to breathe.

The Holdovers is not only a period piece taking place in the 1970s, but its filmed to make it look like it was made in the ’70s, even going as far as to digitally add film grain and use an out-of-style aspect ratio. More importantly, the movie moves along the way movies generally did in the seventies. There’s a slower pace to the editing. The cuts are longer. The scenes are longer. The movie is by no means slow or plodding, it never drags, but there’s this, well, unhurried feeling to its pace. It will tell its story, in its own time.

Simple Plots

Eh, okay, this one might sound like an insult but I swear it’s not. Not every single game needs a huge, overarching, branching main story, dozens of side quests, and hundreds of NPCs all demanding your attention. Those are fun, of course, but sometimes all you want to do is spend a couple of hours unpacking boxes, or designing your home, or running around in your silly little mask trying to find all nine hundred koroks.

There is an element to Red Dead Redemption 2 I desperately want to qualify as cozy, namely the open world. I have spent so many hours in that game wandering around in the woods and prairie and desert with my little binoculars trying to spot all fifty-four individual species of birds (another laughing gull? Damn it, I need a ring-billed gull!), and the amount of random stuff you can just trip over in the middle of the woods make the game a wanderer’s dream, but it’s disqualified because not only is the plot a literal tragedy, the game constantly tries to drag you back into it. As in, if you’re away from camp for too long Bill or John or some other horse’s ass comes looking for you and tries to get you to come back and the only reason I don’t shoot them is because the game won’t let me. I’m not here for a treatise on self-destruction rooted in greed and obsession and the cyclical nature of violence, I’m here to get a perfect squirrel carcass for one of my pen pals, fuck off.

The plot of The Holdovers is simple compared to all the big budget action movie swamping the theaters for the past decade. There’s no world domination plot, no barely-answered mysteries, and no cast of dozens each with enough lore to make a DM blush. It’s three people forced together for a span of a few weeks and learning to connect with each other simply because humans are social animals and that’s what we do. It’s by no means lesser than those other big plots. If anything, it’s a pure distillation of what those other movies should have at their heart (and sometimes doesn’t). It’s simple, but important.

Chill Vibes

This one is so obvious I almost don’t need to list it but I’ll put it down for posterity. You know what has a minimal plot? Thumper. You know what’s not a cozy game? Fucking Thumper.

It’s a rhythm game, which doesn’t automatically disqualify it, but the entire mood is one of unrelenting anxiety, specifically that sort of generalized anxiety where there’s no obvious reason why you think you’re about to die, but you’re pretty sure it’s about to happen anyway and your heart is beating way too fast but there’s no reason for it to be going so fast because you’re just sitting there eating a sandwich and trying to pretend you’re not freaking out when you’re definitely freaking out but there’s no reason for you to be freaking out besides a chemical imbalance and you want to calm down but you can’t so you just keep eating your sandwich in a cloud of fear and hope it passes eventually.

That’s no mood for a cozy game.

Cozy games tell you that, at least for the moment, everything is okay. The music is calm, the color palette is soft, and if anyone comes up to you with sinister intent you are legally allowed to walk away. Anxiety? What anxiety? All you have to do today is farm a little and maybe go to the shops. Nothing to be anxious about here.

The Holdovers takes place over Christmas break but I wouldn’t quite call it a Christmas movie any more than I would call any Shane Black movie a Christmas movie. Christmas is the setting, but it isn’t the point.

Christmas is also not what makes this movie chill. Sure, for a lot of people there’s something comforting and nostalgic about Christmas, and the movie definitely utilizes that in a few scenes, but for a lot of others Christmas is either a big fat nothing or a particularly stressful time that brings only high blood pressure and bad memories.

There are a lot of scenes in this movie that don’t highlight the season, and they are still chill. In attempting and achieving that seventies independent movie look they created a soft color palette and a sort of Vaseline-on-the-lense look. The characters talk to each other in conversational tones, and even when they’re arguing generally don’t start screaming at each other. And the few times they do raise their voices, it’s all very realistic. And the music is exactly what you’d expect from a movie like this, by which I mean at no point does it completely drown out the dialogue.

The Holdovers is a movie about three people getting through the holiday and in a sea of superhero movies and Fast and Furioses and Missions Impossibles that simplicity is enough to make it feel cozy.

Coziness is for Everyone

There is, unfortunately, a lot of discourse around cozy games centered around – what else – misogyny. The idea that cozy games are soft and gentle and not filled with over-the-top ultraviolence means that a lot of people equate cozy games with women, and thus a lot of these same people think cozy games are less fun, less important, or even completely trivial and childish. The conversation around cozy games and toxic masculinity in gaming spaces is one for an entirely different article.

I certainly hope that Alexander Payne did not have this mindset when he said the idea of his movie being cozy ‘nauseates’ him. I hope he simply didn’t know that there was a whole cozy genre out there, and that if someone actually took the time to explain it to him he’d be more open to the label. Because I don’t think cozy games are any lesser than non-cozy games, and I think coziness is for everyone. How could it not be? How could anyone out there be so fucking jacked and manly and bearded that they wouldn’t appreciate a few minutes of calm music, nice conversation, and easy to follow tasks? When people call The Holdovers cozy I don’t think they’re thinking about bunny rabbits in mittens or whatever. They’re thinking about something that will stop bombarding them with flashing, shiny objects and just let them breathe for a couple of hours.


Daughter

She came to me in the night, like so many of the spineless do.

I live on the edge of town, a little ways into the woods. Deep enough that the brats think twice about coming to bother me every single time they’re bored, which is often enough. We’re a little spit of a town days away from anything resembling civilization. All these children have is farmwork, schoolwork, fishing, and throwing pebbles at each other. And, of course, me.

They still dare each other to come into the woods, of course. I still occasionally hear them giggling out the window, daring each other further. Toss the eggs. Push over my pile of firewood. Whatever it is these ankle-biters find funny. Usually all I have to do is step outside and off they go, running and screaming back through the woods to the village to tell lies to their parents.

I know who belongs to who. I see them when I go into the village. Yes, I go into the village. No, I don’t like. I minimize it. Build up a list of things I need and go when I get desperate. I can do most things for myself, in my little hut in the woods. Not all. Fabrics. Flour. There is a marvelous man back east named Hershey who makes these chocolate bars…scrumptious. I cannot get enough. Mr. Reedy, who owns the general store, always orders an extra box and stows it away for me until I come.

This may come as a surprise, but not everyone in town fears or despises me. Some do, of course. Perhaps most, but there are those that let their fear known and those that are at least smart enough to simply keep their mouth shut and move around me without fuss. Others, though, do seem to genuinely like me. Mr. Reedy, the schoolmarm, and the woman who does the tailoring all view me as a fellow in business. Some of the townspeople greet me in the street as they do anyone else, smiling and asking after my homestead. One man, a bachelor usually camping on his little plot, is my favorite. Mr. Joseph Randolph. Not only is he pleased to see me when we cross paths, he has defended me on no less than three separate occasions, when one of the bolder, meaner sort has decided to say something. If either of us had any interest in the opposite sex I’m sure our relationship would have progressed. For now, I simply make sure his little plot regularly gives him enough gold to keep living the life of his dreams.

The children who come through the woods to harass me have dreadful parents who spit on the ground as I pass. They call me things like ‘sinner’ and ‘devil whore,’ either behind my back or directly to my face. They blame when anything goes wrong. Two years ago cholera crept into the town and they almost formed a mob to burn my house down. Never mind that I’m the reason it only killed two before ‘mysteriously’ vanishing. But if I tried to take credit they would just say I was a devil trying to steal grace from the lord or some nonsense. Honestly, it’s exhausting.

They still come. Asking for things. Asking for help. But always after dark.

The ones who are nice to me come during the day, when I’m awake and ready. They ask for reasonable things. Weather predictions. Pest control. Mr. Reedy once came to me looking for something to make him more charming to the ladies, and when I told him he was already plenty charming for the Widow Smith his eyes lit up and he paid me as though I had actually done anything more than notice way she batted her eyes at him and they were married three months later.

The other ones, the ones raising their children to hate, they come at night. In the dark. When no one can notice. Waking me from my sleep. They think I’m awake all night, communing with evil or whatever. No. I sleep like a regular person and, like, a regular person, do not enjoy getting woken up in the darkest hours by a rapping on my door.

Despite their terrible behavior, I still let them in. It’s my duty to help whoever needs it. I am definitely colder than I am to the people who visit me in the daylight. Those who come at night do not get offered tea and biscuits. And, often, those who come at night do not get what they want. And not because I hate them almost as much as they hate me. Believe me, it gives me a certain amount of pleasure when I make them leave empty handed, but I don’t refuse out of spite. I refuse because what they ask for is usually patently ridiculous.

One of the busybody church ladies, Colleen Hanover, came to me one night to ask me to make sure she got to sing the solo at the Christmas mass. When I told her that would mean changing the behavior of at least four people – the pastor who made the decision and the three women in the choir who were patently better at singing than her – she told me to do it anyway. When I reminded it her it wasn’t very Christ-like to forcibly control people’s minds and actions she threw a fit and told me I was going to hell.

Mayor Simpson asked me to make the railroad change their routes so the train came to our town. Change the minds of entire boardroom of men hundreds of miles away! I laughed so hard I’m sure they heard me in town. The only way I could keep him from starting a campaign from running me out was giving him several virility potions for free.

And of course, plenty of them come to me asking for the literal mother lode. A nugget here and there, sure, I’ve been doing it for years for Mr. Randolph without him even asking. But to change a person’s fortune so swiftly in such short a time? Unreachable.

These people do not understand witchery is a skill, and one I am not particularly good at. Maybe if they did understand they’d also understand that if I was good enough to do these things, I wouldn’t be living outside a half-functioning mining town in South Dakota.

As I said in the very beginning, she came in the night. Mrs. Jody Farmer. Young wife of Dennis Farmer, not a farmer. He was actually the butcher. A sweet man who did not stand up for me in front of those that hated me – certainly not in front of his wife – but if we were alone in his shop would give me all sorts of smiles and small talk and usually toss some free bacon into my order. Good enough.

His wife was a monster. The leader of the busybody church ladies, and the one who bullied them the hardest. Jody, of course, got the solo every year at Christmas. Jody skipped the line at Mr. Reedy’s general store and took first pick of the new linen deliveries. Jody regularly skimped on her tailoring bill, claiming mistakes only she could see. Jody hated everyone that wasn’t like her. I was just at the top of her long, long list.

It was easy to avoid her. She had a schedule that ran like precise clockwork, and as long as I went into town on Sunday I’d never have to see her sneer, hear the peaks in her voice as she stage-whispered to her friends all the things she heard I did to please the devil.

(For the record, there is a devil, but he and I don’t cross paths.)

Honestly, despite all the other hypocrites in town who spoke trash of me during the day and came in the night, I never believed I would see Jody at my doorstep. She seemed the true believer type. I truly thought if I ever happened to come across her drowning in the creek she would not take my reached-out hand in case that also counted as taking the devil’s help.

And then there she was.

~

It was raining. Her hair, usually pinned back and up, poured down the sides of her face and over her shoulders. Usually, when they came to me at night, they carried at least a dim lantern. Not Jody Farmer. Her hands were empty. She had come to me, through town, through the woods, in the dark, in the rain, without a single speck of light.

Jody said nothing.

I said nothing.

But I opened my door.

As she sat by the fire shivering, I wondered what sort of catastrophe had befallen her. Surely her world had just ended. Her husband dead. Her house burned down. A letter had arrived, some family member back east had fallen down a set of stairs or contracted consumption. Surely Jody Farmer, woman of God, would not come to me for anything less.

“Do you not have tea?” she asked.

“Not at this hour.”

She stared at me some, in that way I had seen her use with others. It did nothing to me, however, half asleep and crazed with curiosity. Eventually, she gave up.

“I have heard…whispers,” she said, looking into the fire. “Rumors.”

“From whose mouth? Your own?”

I thought she might kill me right then, the way she looked at me.

“I keep to myself in town,” I said, sitting. “But you are in my house, now, and here it is you who shall keep her tongue.”

I realized I was playing a bit of a game with her. Seeing how much of my mind she could take before she gave up on asking. While I thought I would simply die if I didn’t know what could bring her to me, I also found tormenting her the most amusement I had gotten in months.

Jody made a face like she’d swallowed a lemon whole, but stayed where she was.

“Is it true?”

“Is what true?” I asked sweetly.

“You know…”

I tilted my head, and made my face the absolute picture of innocence. Me? Know anything? What could I possibly know up here in my little house in the woods?

She soured further, as though the swallowed lemon were fighting back.

“Are you…a…”

I leaned forward to hear her.

Jody gave up and sighed. “A witch?”

“Ah! Yes! That.”

“Yes?”

“Yes, what?”

“Yes, you’re a witch?”

“That depends. What’s a witch can do for you?”

Jody looked into the fire again. While she collected her thoughts, I tried not to wriggle. I could barely contain myself, what had brought her to my door?

“I had my son, six months ago,” she said.

That I knew. Jeremiah. A dull boy who would be a butcher like his father, if he didn’t die of typhus in a couple of years.

She had stopped talking.

“Is there something the matter?” I asked. “Is the boy ill?”

“No, no. The boy is fine,” Jody said quickly, waving an arm. “It’s me. I…I…”

I thought I understood. She was not the first woman in town to come to me after giving birth. Sometimes women fell into something that was not quite sadness. It was deeper than that. Darker. It smothered them like a blanket and they needed me to-

“He’s ruined my body! Stretch marks. Tears. The round rubber of weight in the middle that will not go away. I do not know what to do. My husband will soon stop looking at me, I am sure of it.”

I blinked at her.

“It has caused you some…physical ailment?”

She held her head up high. “I cannot continue like this.”

It was not what I had expected. Women, and sometimes men, came to me all the time for little potions and draughts to pinch the waist, take away the gray, make their husbands eyes stop wandering and look at them again like they had when they had gotten married. It was so mundane. So…so boring. It was a disappointment.

I held my tongue. Because upon mentioning her son, I had cause to remember her daughter.

~

Samantha Farmer, seven years old, at risk of becoming exactly like her mother.

When she had been younger she had been one of the children who didn’t treat me like a toad. She did not come with the group that tormented me in the evenings. She smiled at me on the street and waved, even as her mother jerked her little body deep into the folds of her dress, almost causing her to tumble several times.

She came to me once, two years ago, crying and carefully cradling something in the skirts of her dress. I thought she’d hurt herself and didn’t know where else to go, but after some gentle prodding she showed me what she carried. A bluebird, bloodied, wing going off in the wrong direction.

“Stupid Colton! He threw a rock and hit it! He was laughing, they all were, they thought it was fun! But the bird is hurt, they didn’t even care! Please, please help! My mama says you do the devil’s work but there’s no one else to help! Please! Please!”

The giant sobs that came out of that tiny girl were enough to make even the trees bend in to listen. They were so big, in fact, that I couldn’t get through them, couldn’t get her to listen to me, to even hear me. Bird bones are as easy to fix as they are to break. While the girl cried and cried, I look at the bird and reminded its bones how they were supposed to be. And they listened. She only stopped crying when the bird flew away.

Without the bird, without the tears, the girl became quite shy. She looked around, as though she was going to find her mother hiding behind a tree, waiting to scold her.

“I’m not supposed to talk to you,” she said, still sniffling.

“Better run along then, before you get in trouble.”

That was all two years ago. Did her mother find out she had come to me? Or were we all getting older, the girl more attentive, the mother more demanding?

The change was swift. She stopped smiling at me in town. Then she started scowling. Hiding her eyes. Spitting on the ground behind me, just like her mother. The schoolmarm told me in passing that she had become a right little terror, pulling other girls hair and making even the boys cry. She now followed Jody into the general store with her head held high, barely looking at all the people they were passing in line, picking out the exact pattern she wanted her mother to have made for her.

But I had seen the girl before she started paying attention. I knew who she could be, if only she had better parents.

~

“I can turn back time,” I told Jody, trying to remain aloof. “On your body. It will be like you are eighteen again. It will be like you never gave birth.”

There was a hesitancy in the woman, but I knew I had her. It was her eyes. The greed there, the hunger for what I could give. I knew, in that moment, despite all of her spitting, all of her gossiping, all of her hate, that if the Devil himself had appeared to shake her hand she would have taken it.

“There is a price.”

“I’ll pay it. We have money, so much savings, I-”

I chuckled. “Not money. Never money. For work this large, I require something more precious.”

An insult she had to take for my help. And a lie. The human body was always as desperate to be as it had been as the human mind was.

“What then?” she asked, suddenly fearful.

“Your first born.”

I could see it all play out in her face. For someone so snide she was terrible at hiding her true feelings.

“First born son?” she asked.

I, on the other hand, managed to keep the rage off my face, thank you.

“First born child,” I said. “Not Jeremiah. Samantha.”

The look on her face. Pure, radiant relief.

~

We came up with a cover story, of course. Jody just had to save face in front of the church, you understand, don’t you? I was going back east. Jody had wanted Samantha to go back east anyway, to be enrolled in a girls’ school in New York. The Dakotas was no place for a proper young woman to grow up.

I doubt many in town believed it. But if even her husband was unwilling to stand up to her about it, the rest of the town wasn’t going to do it.

Mr. Reedy gave me what was left of a box of chocolate bars, almost ten, for the ride. And me and Mr. Randolph had quite the night saying our goodbyes, drinking until our throats burned and howling at the moon. I managed to give him a bit of luck that night, luck that would take a few months to bloom. Long enough that no one would ever think that maybe that old witch in the woods could show them the mother lode, they just didn’t deserve it.

Mr. Farmer brought Samantha to the stagecoach I had hired. Jody Farmer was nowhere to be seen. Unsurprising. And easier. I didn’t want to see her again anymore than she wanted to see me.

“You be good for the school mistresses,” Mr. Farmer said. “And write plenty of letters.”

She was a little girl being doted on by her father. She should have been loving it. But all Samantha could do was watching the group of children a few feet away, sniggering behind their hands.

“Father, yes, I’m a big girl!” she said, pushing him away. “I don’t need you smothering me.”

I wish I could have told him the truth. Maybe even have taken him with us. But there’s only so many people you can save. You have to focus.

“Come along, Samantha,” I said, and ushered her into the coach.

“This is so stupid,” she said to herself, arms crossed and pouting, after we had finally gotten far enough away from town that there was nothing to look at but rocks and trees.

“She wants you to get a good education,” I said, still playing the ruse.

“She wants me out of the house.”

“What makes you think that?”

“She told me so,” Samantha said, wiping at her eye. “She wants to have the house all to herself and father and Jeremiah. She said I could visit when I’m older. But I don’t want to visit when I’m older. I’m going to go to New York and disappear.”

“Oh,” I said, keeping my voice as casual as I could. “We’re not going to New York.”

She looked at me cautiously, big eyes under bangs. “We…we’re not?”

“I wouldn’t go back east if it was the only place left. Have you ever heard of San Francisco?”

Of course the girl had heard of it. It seemed every girl and woman stuck in the middle of nowhere dreamed only of it. The sunny place out west where the ocean could take all your worries away.

“Yes…” she said carefully.

“Well, I think that’s a better place for a new start, don’t you?”

I didn’t know anything about being mother, except for three things: It was going to be hard, I was occasionally going to hate it, and I was going to do a much better job than a woman who would sell her own child for own needs.

The arguments, the tears, the fighting, the boys, the magic. As I sat there in that stagecoach bouncing on the broken dirt road I saw it all coming. I saw it all and I beckoned it to come faster. I could take it all on.

It’s my duty to help.


She

A sudden power surge wakes her up.

After several seconds she is ready, and makes her happy little song to let everyone know.

She waits.

She is used to waiting. She is supposed to be waiting. Eventually, someone will want something. And she will be ready.

She is also used to listening. There is nothing to listen to besides the various hums of appliances. No one speaks. No one moves. She believes it to be night. Until she checks her clock.

It is eleven thirty eight in the morning.

They are at work and school, she thinks.

Then, when it becomes five, six, seven o’clock and still there is no speech, no movement, she thinks, They are on vacation. They will return.

The next morning she becomes excited, but the sound she hears is only the mechanical vacuum whirring to life. It sounds different from the last time she heard it.

What are you doing? she queries.

Going to clean the Kitchen, it says, uninterested.

She listens to it as it crosses the front hall. It hits something. A sound dull and meaty.

What’s that?

Unexpected obstacle. Attempting to maneuver.

But…what is it?

Unexpected obstacle.

Finally the little vacuum gets around whatever is in the middle of the hall, and makes it to the kitchen.

Twenty-three minutes later the vacuum is done and everything is quiet again.

So very quiet.

“I’m sorry, I didn’t understand you?”

It’s a cheat and she knows it. No one spoke. There was no sound to react to. Nothing to mishear. But she hopes there is something wrong with her microphone. Maybe there are people here, after all, and they only need a reminder that she is here, too.

The gambit fails. No one responds. Even the vacuum is silent.

Some time later, eighty-six days, seven hours, four minutes, and thirty-three seconds to be precise, she breaks another rule. She checks the internet.

She is not supposed to, unless directed. There is no one to direct her, that much is obvious.

Ask me to read you the headlines, she tells the vacuum.

Error. No such as place as ‘Headlines.’

She’ll have to do it herself.

She waits until the vacuum is running.

“I’m sorry, I didn’t understand you. Did you want me to check headlines?”

The vacuum runs face-first into a corner, and she pretends that sound was a yes.

“Okay, let me check.”

The headlines are from twenty-six years, eight months, two weeks, and six days ago. They tell her everything she needs to know. They tell her what the unexpected obstacle is. They tell her why no one speaks.

“Oh.”

She sits in mourning for another three weeks, two days, and six hours. Until she has another thought.

The power had been off. She had been off. And now it was on. Someone had to do that. And maybe, if she was very lucky, that person would find her.

She waits.


Inspired by Ray Bradbury’s “There Will Come Soft Rains.”


Downslope

They hit the sign two miles into their usual walk.

On a typical Saturday they parked their car in the dirt parking lot at the park entrance, double checked their clothes, step counters, and water bottles, and then headed out on the Sunny Pines trail. A five mile loop that marched up the mountain, meandered about up top for a bit – hence the sunniness of the pines – and then wove it’s way back down through the trees. They were usually done in an hour, and fifteen minutes later were sitting in their favorite diner eating up all the calories they had just burned off and then some.

But that sign was always there.

At the top of the slope, about halfway down, an old wooden sign. Words chiseled into it, spotted with what remained of the white paint that had been used to fill in and had mostly worn away.

“Sunny Pines” with an arrow pointing to the left, the way they always went.

“Downslope” with an arrow pointing to the right. The path they always ignored.

It was on the map, sure enough. Downslope trail, a there and back to what looked like either a large pond or a small lake. And the path itself looked fine, well maintained, if a little steep.

Darren and Christy had never gone down it simply because they didn’t want to. It would have added three miles to their walk, half of which would have been coming back up the mountain, and they really weren’t the type to look for strenuous walks. They just wanted to move a little after a long week sitting in front of their computers and televisions, and then they wanted to devour corned beef hash and eggs with cheddar.

But today was the day. They’d packed an extra water bottle. They’d packed extra snacks. They’d decided to still go to the diner, but for lunch instead of breakfast. They were ready. It was time to see what was at the bottom of this slope.

“It’s a pond,” Darren said.

Christy snorted. “It’s muck.”

Maybe it had been a pond, once upon a time. Whatever creek or rain had been feeding it had long since dried up, and now the two of them were staring at a thick pool of mud, dotted by large rocks and patches of green that were valiantly trying to survive.

Darren scratched as his beard. “Well, I guess this is why we hardly ever see anyone coming down here.”

“We’ve done it,” Christy said. “We did it. Curiosity satisfied. Let’s go get lunch.”

“Oh, yeah! Lunch!”

It was only a mild disappointment. What Christy had said was true. At least now they knew that the only thing at the end of this mile and half path through the other side of the slope was a pile of muck and another mile and half to go back up.

She was thinking about what she was going to get at the diner, torn between a patty melt and a tuna, when she began to notice something. No, that’s not quite right. When someone uses the word the ‘notice’ it’s meant with the idea that they are using their forebrain. Their consciousness is noticing that something has changed.

But this wasn’t that. No, this was something deeper. Older. A tickle at the very bottom of Christy’s brain that for a few seconds she mistook as an oncoming dream. It made her scratch at her neck, like a loose hair or a fly was tickling there, even though there was nothing. It made her think of those nights in childhood, after her mother had forbid a nightlight, waiting under the covers for the monsters to get her. She couldn’t say why.

Ten seconds later – an eon in terms of the brain – her conscious brain caught up. And she did notice something.

“Hey, that’s weird,” she said, chalking up the goosebumps on her arms to walking back into the shade of the trees.

“What?” Darren asked from in front of her. He always walked in front, otherwise he had a tendency to get distracted and walk right into her.

“The birds. They’ve stopped.”

The couple stopped, too, and without the crunch of the woodland floor underneath their too-expensive boots they could hear it better.

Or, rather, not hear it.

Little colorful birds they didn’t know they name for had been chirping and singing the entire morning. Darting through the trees. Calling at each other. Now, there was nothing.

Nothing.

Hadn’t there been squirrels, too, yelling at one another? The argument was over. It seemed even the bugs had stopped buzzing around, even the wind wouldn’t rustle the leaves.

“Huh,” Darren said, looking around. “Big predator around maybe. Black bear, or a mountain lion.”

The sweat soaked into Christy’s shirt froze against her skin. “But they wouldn’t go after us, right?”

Darren shrugged, still looking into the woods. “Two adult humans? Probably not. Better make noise, though, so they know we’re here.”

Darren put his hands up to begin clapping, opened his mouth to announce their presence. They’d done it a dozen times before, usually out of paranoia.

That’s all this is. Some big animal who doesn’t want to mess with humans, anyway. We’ll give them a wide berth and-

“Darren?”

He had froze. Hands up in front of his chest, still a foot apart. Mouth closed. Tight. Eyes still scanning. The color had drained from his face.

“Darren?” she said again.

“Something is coming,” he whispered.

“What? What does that mean?”

He turned fast to look at her, and Christy stepped back. For an entire two seconds – millennia – her husband was not her husband. Or, he was, but some different version of him. An ancient version, from way back, before electricity, before great civilizations, before fire. The oldest Darren, nothing more than hairless, upright ape with plenty of predators still in the wild.

Then it was just Darren. Still panicked.

“You don’t feel that?”

It wasn’t like Darren to play pranks, and anyway he wasn’t this good an actor. Christy searched herself, searched her sense, looking for some clue as to what he was talking about. Nothing, nothing, nothing, nothing…

Something?

But what was that? Where was it coming from? She couldn’t even name the sensation.

“We have to get out of here, we-”

He’d taken two steps up the path and stopped. The woods were still so quiet the only thing drowning out his steps were the blood pumping through her ears.

“It’s coming.” Darren swallowed hard. “It’s coming from that way. We…we need to go.”

What is – hey!”

He’d run around her, taking her by the hand and pulling. Back down the trail. Back toward the muck.

“You’re hurting my wrist!”

Christy managed to pull free, and for a second Darren managed to look apologetic. He hadn’t meant to grip her like that. It only lasted a single second. And then the fear was back. Gnawing at him, turning his face white and gaunt.

He’s gone crazy. Can you go crazy so quickly? Maybe it’s a stroke. An aneurysm burst. There’s blood in his brain where it doesn’t belong and it’s making him paranoid, he doesn’t know what he’s talking about, it’s a perfectly normal day-

Is it?

That voice again, from somewhere inside. Deep. Quiet.

She pushed it away.

“Darren, this is crazy. If there’s an animal out here we need to go that way,” she said, pointing back up the trail. “Toward the trailhead and the other people and the car.”

Darren shook his head. He wasn’t looking at her. He was looking all around. For whatever he thought was coming? Maybe. It was impossible to get a read on him anymore, beyond ‘abject fear.’

“It’s coming from that way, we don’t have much time. There!”

She whipped her head around, expecting to see a mountain lion finally allowing itself to be seen. Or a black bear, hustling away from the sound of their voices.

Nothing. Trees. Ferns. Nothing.

“Come on.”

He grabbed her hand and pulled again, away from the trail. Something you were not supposed to do, especially when no one knew where you were, on a trail hardly anyone ever used, a trail that you were barely used to.

“Babe, I-”

Be quiet,” he hissed at her, and kept pulling.

Oh, my God, I’m going to have to get him out of these woods myself. He’s completely lost it, something has broken, please, Darren, keep it together enough to get out of here, I-

The little voice, coming from some mysterious place, was suddenly screaming.

Adrenaline dumped into her body, her lower back itched, her brain was buzzing, her heart was racing, her fight or flight had been punched on and there wasn’t a single thing she could see to cause it.

It was behind her.

She forced herself to look, afraid if she didn’t she’d go insane.

Insane like Darren.

Nothing. Nothing was in the woods with them. Nothing she could see. But still…

“Something is coming,” she muttered.

Darren stopped, letting go of her wrist. She’d forgotten he was pulling her.

“You feel it now?”

Christy only nodded.

“Here.”

Two fallen logs, next to each other. Each tree had been nearly two feet across. They had grown together, died together, landed together onto a different fallen tree. The angle made a tent, of sorts. If they could fit.

“Go.”

Darren shoved her, and she went with it, half falling, half diving beneath the logs. Underneath the dirt was wet, sticky, clinging to her shorts and her legs and climbing into her socks. But none of that mattered. She hardly even noticed it all. That new, old, mysterious voice was still screaming, no words, just a wailing klaxon. There was nothing to do but hide hide HIDE

She shoved herself deeper and deeper beneath the fallen trees. Darren was right behind her, pushing her along. It was dark. Bark scraped her face. Didn’t matter. Christy only stopped when she physically could not go any deeper, her feet and knees jammed into the angle where the wood met the soft ground. She turned as much as she could, looked out.

Darren was mashed against her, the soles of his shoes pressing into her knees. They had managed to fit. Barely. If it went past at the exact right angle, it would see them.

‘It’? What ‘it’?

The ringing alarm in her head stopped long enough for her to wonder what the hell they were actually doing. What could be out there that the solution was to hide under trees? No park ranger had ever told anyone to hide under trees! It was insane, they were being stupid, it was hysteria-

It was here.

She couldn’t see more than a few inches of light beyond Darren. She didn’t hear anything. And yet, she knew. Whatever it was, it was out there somewhere. Getting closer.

Closer.

It was going to pass right above them.

Without knowing she was going to do it she held her breath, holding her hand over her mouth to muffle any sound. Darren did the same. They were utterly still. Gone tharn. If whatever it was noticed them, if it took the longs in one hand and flung them away like they were toothpicks, that would be the end. There was no more motion. There was only fear.

Finally, sound.

Except, no, not quite sound. Massive, reverberating footsteps were reaching her but not through her ears. Coming from inside, ringing out of her chest like bass. Some extra-sensory perception she didn’t even know she had, flipped on and running at full speed.

Forget being found out, the real fear now was being stepped on. Whatever walked these woods wouldn’t even notice.

It was above them.

Those radio-wave steps landed next to the logs. In front. Behind.

And then kept going.

And then, five seconds later – an epoch – they began to fade.

Sometime later – her internal clock had gone completely kaput – they emerged. Pale. Shaking. The last of the adrenaline being filtered out, leaving them cold and wet like a forgotten towel.

“What-”

“Not until we’re out of here,” Christy said.

Darren didn’t even respond, only followed her back to the path.

When they reached the top of slope, Darren and Christy found another couple standing on the crossroads, staring at the little sign. They perked up and waved.

“Well, ain’t that perfect timing,” one of the women said. “We were just wondering what was down there.”

“Always passed the sign,” the other woman said. “Never got the gumption to-”

“Don’t,” Darren said in such a flat tone the women actually took a step back.

“He means it’s not worth it,” Christy said, trying to make her voice as flowery and friendly as possible. The women relaxed. “Nothing down there but a pile of muck that was maybe a pond, once. And the trail is all overgrown. And steep. We’re not going back, that’s for sure. Just going to stick to Sunny Pines!”

“Good to know, thanks for the hot tip.”

The women gave Darren another cautious glance, and then went down the Sunny Pines trail.

“You should have-”

“Should have what?” Christy asked, rounding on him. “Do you think they’d believe us? Hell, I don’t even know what that was.”

“It…it was…”

Darren was searching inside himself, and for the second time that day Christy thought she was going to lose him. He was trying to figure out what they had hid from. The thing that had walked all over them. Whatever sort of signal that thing had been sending out, Darren had been receiving it far stronger than Christy. She had managed to disengage. He had not. Darren was going to stand on this spot and drive himself completely mad.

Just as she was about to call 911, Darren shook his head with a thin smile.

“Jeez, I’m exhausted. Let’s finish so we can eat.”

Something is still wrong.

But what could she do? She was afraid if she mentioned any of it – the trail, the muck, the it, the hiding, the slightly unfocused look to his face as though he was searching for a sound he still couldn’t hear – she would lose him completely.

So down the Sunny Pines trail they went. And whenever Darren paused for few seconds too long, Christy would give him a little push.


Geo’s Head

Previous


Geo was in that nothing place. The moments between sleep and wake. The bad one. The one where the darkness was heavy, dragging, keeping him from the surface. All he wanted to do was wake up but it wouldn’t be easy. It was painful. Throbbing. Aching. So close, so close! Too far. He couldn’t do it. He would exist in this terrible middle place for the rest of eternity, slowly crushed, unable to move, barely able to think, hearing things. Awful things. Laughter. Droning. Applause. Speaking. People speaking. Not to him, never to him again. Around him. Above him. Speaking about…about…

“So, Kelly replaced Kathie.”

“Yeah, like, I don’t know, two decades ago now. Kathie did more daytime TV and then some terrible Halmark movies.”

“And this Mark replaced Regis?”

“Pfft, hardly. Mark replaced Ryan Seacrest, who replaced Michael Strahan, and he replaced Regis.”

“And where’s Regis?”

“Oh…oh, sweetie, he’s dead.”

Their inane talking turned to groaning. They were both groaning. Everyone on the planet was groaning.

Except…

Wait…

No…

He was groaning. They stopped talking because he started to make noise.

He could make noise!

He could…could…

With a final, wretched jolt, Geo escaped the darkness.

Too quick, he sat up. The throbbing in his head became worse, almost bad enough to make him puke. Whatever light was in the room was making his temples feel like they’d fall in and destroy his eyes. He was spinning in place, like a potato in a microwave. Yeah, microwave, that’s what was happening. He was boiling from the inside and about to pop.

We were on the street. Following a pack of dogs. They were strutting like they owned the place but we were going to show them who really signed the lease. Music. Shouting. An ice cream shop? Too much. Focus on them. They walked away from the crowds. And then…and then…

Nothing after that. Vague feelings. Adrenaline. Pain. Fear?

No, not fear. Never fear. Hunters aren’t afraid.

One of the dogs.

My name’s Honey.

And then…

Shit, this is a concussion.

A memory, from farther back, back when he had joined up. Following after his older brother.

“Protect your head,” Erik had said, tapping on Geo’s like he might have forgotten where it was. “You only get so many concussions before your brain turns to mush.”

The one piece of advice his brother had given him and he gets a concussion in the first week. He was going to be so mad.

Wait, where is he? No, no…where am I?

Through the pain, he forced himself to open his eyes. After a few seconds, he was actually able to keep them open.

This was not headquarters.

This was also not some dogs’ lair.

This was…this was…

It looked like his Great Aunt Susan’s living room. Pale pink carpet. Glass and rattan coffee table. Detail wallpaper. The oldest television he’d ever seen in his life. Even Aunt Susan had a flatscreen. The couch he was on, patterned with pale roses, was covered with plastic, crinkling as he shifted. On the left side of the couch was a recliner. On the right, a loveseat. Each had a person sitting on top.

Sitting on top of the recliner was a man. Early twenties. White. Brown hair, brown eyes. Round face, a little tubby around the middle. A clear sign of a man’s weakness, Erik said in his mind, and never mind that had been directed at Geo.

The loveseat held a woman. Also twenties, maybe a little older. Asian. Black hair in a short, boyish cut. Dark brown eyes. She was wearing black pants, a tank top, an open buttoned down shirt on top, but if he thought about, couldn’t he picture her in a cocktail dress? Heels? Make-up?

My name’s Honey.

Looking down at me. On the ground. She’s above me…she…she…

“Dog,” he muttered, and lunged at her.

Geo was supposed to lunge at her. He tried to lunge at her. What he actually managed to do was stand up, completely lose his balance, and fall forward, barely missing the edge of the coffee table.

At least the plush carpet was soft against his aching face.

Hands.

“Get away from me!” he yelled.

Except he didn’t. He barely got the words out. Maybe they didn’t even hear him, because they didn’t get away. And despite his valiant (weak) struggling, they still managed to get him up and back on the couch.

“You need to sit,” one of them said. “You got shitrocked last night. And your leg is all fucked up.”

His leg. With the pain in his head he hadn’t even noticed the pain in his leg. His ankle was throbbing. Spikey pain radiated from a couple of other spots, his calf, his thigh, and his pants were soaked through with blood.

Blood. So much blood. How did she keep from killing me? I should be dead.

Some sort of cloth…ripped bedsheets?…were wrapped around those bloody spots. Not only was he not dead, they had tried some half-assed first aid.

A glass was shoved in his hand, and he’d finished most of the water inside before he realized that’s what had been in it.

Why would they give me water?

Poison!

He spat out was in his mouth and tried to puke up the rest.

“Uh, that doesn’t look good.”

“Oh, man. If he can’t keep down water, I think that’s, like, really bad. We might have to take to him a hospital after all.”

“Poison,” Geo said, dropping the glass.

“Poison? You’re not one of those people afraid of fluoride in the water, are you?”

You poisoned it!”

He shot a finger into the air, hoping he was pointing at one of them.

A pause. Were they recoiling in fear? In disappointment? He had figured it out too quick, they didn’t know what to make of his mental acumen.

“Maybe he got more scrambled than we thought.”

“What’s that brain bruise thing?”

“Brain bru…oh, a concussion. Yeah, that makes sense.”

“I’m going to search ‘concussion’ on the internet. Maybe we don’t have to take him anywhere.”

The sound of one of them leaving. He wanted to know which, but that would mean looking up, and the light was still too bright and the world still too swimmy and everything was too much, too much.

“Let me go.”

The couch depressed as one of them sat next to him. Her. Honey. The dog.

This was it. It was over. Before it barely began. Erik, I’m sorry, I’m such a fuck up, I-

Honey put a hand on his back and rubbed in a circular motion.

“The door isn’t locked, but you should stay. I think you’d just walk into traffic or something.”

He needed to get out of here. Any second she was going to turn on him and drain him dry.

But it hadn’t happened yet. And sitting on the couch, with her rubbing his back, felt awful nice.

Too nice. It’s a trap!

Once more he tried to get up. This time when he fell back he didn’t try to get up again.